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You know that I don't give interviews much? There were just a few – with Lawrence Weiner, with Danny MacDonald that I published with in the 'I Love New York, Crazy City book' – do you know this one? And also the 2005 interview with Wolfgang Tillmans for 'Artforum' – that was one I particularly enjoyed. I was always a bit scared to do an interview, especially with Lawrence Weiner, I mean, he is just so articulate – he can really speak about the work so well! And did you see this interview I did with Kai Althoff – 'Why I don't do interviews?
Isa Genzken
On my body, I use Kai body butter. It smells really nice and it's fresh and creamy. When it's really cold out, I go with some good ol' Nivea cream.
Keshia Knight Pulliam
Excellence," besought Kai Lung, not without misgivings,"how many warriors, each having some actual existence, are there in your never-failing band?" "For all purposes save those of attack and defence there are fifteen score of the best and bravest, as their pay-sheets well attest," was the confident response. "In a strictly literal sense, however, there are no more than can be seen on a mist-enshrouded day with a resolutely closed eye.
Ernest Bramah
Bramah's books fall into two very unequal categories. Some, fortunately the smaller part, record the adventures of the blind detective, Max Carrados. These are competent, mediocre books. The rest are parodic in nature: they pass themselves off as translations from the Chinese, and their boundless perfection achieved the unconditional praise of Hilaire Belloc in 1922. Their names: The Wallet of Kai Lung (1900), Kai Lung's Golden Hours (1922), Kai Lung Unrolls His Mat (1928), The Mirror of Kong Ho (1931), The Moon of Much Gladness (1936).
Ernest Bramah