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Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter - that it should be clear and unequivocal - supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.
Kenneth Clark
And now Marat now I see where this revolution is heading To the withering of the individual man and a slow merging into uniformity to the death of choice to self denial to deadly weakness in a state which has no contract with individuals but which is impregnable.
Peter Weiss
Marat Today they need you because you are going to suffer for them They need you and they honour the urn which holds your ashes Tomorrow they will come back and smash that urn and they will ask Marat who was Marat.
Peter Weiss
Our play's chief aim has been to take to bits Great propositions and their opposites, See how they work, and let them fight it out, To point some light on our eternal doubt. Marat and I both advocated force But in debate each took a different course. Both wanted changes, but his views and mine On using power never could combine. On the one side, he who thinks our lives Can be improved by axes and knives, Or he who, submerged in the imagination, Seeking a personal annihilation.
Peter Weiss