Flemish Quotes

There is much sentimentality in the fourteen Points of Wilson's peace program. As far as we are concerned the question of Alsace-Lorraine is one that we cannot discuss and it cannot even be raised at any international conference. The territorial integrity of Turkey must be maintained. The Reich Chancellor has declared that we do not seek the annexation of Belgium. However, the Flemish movement is working for independence. The Reich Government should make it its task to support this movement. With regard to the question of self-determination...it must be remembered that there is no political education in Lithuania and that from seventy to eighty per cent. of the population there is illiterate...[Poland does] not need freedom. (Gustav Stresemann)

I do not believe that art must develop on national lines, but I am convinced that there never was and never will be an international art. There is and was French, German, Italian, and Flemish art. But I deny those specific definitions so fashionable with adepts of fascism which make of every country an hermetic cell from which all foreign artists are excluded. [shortly after the end of the German occupation].

Ossip Zadkine

Translating from one language to another, unless it is from Greek and Latin, the queens of all languages, is like looking at Flemish tapestries from the wrong side, for although the figures are visible, they are covered by threads that obscure them, and cannot be seen with the smoothness and color of the right side.

Miguel de Cervantes

Samuel Hartlib, a celebrated writer on husbandry in the last century, a gentleman much beloved and esteemed by Milton, in his preface to the work, commonly called his Legacy, laments greatly that no public director of husbandry was established in England By Authority; and that we had not adopted the Flemish custom of letting farms upon improvement... Cromwell, in consequence of this admirable performance, allowed Hartlib a pension of 100l.

Samuel Hartlib

Samuel Hartlib, a celebrated writer on husbandry in the last century, a gentleman much beloved and esteemed by Milton, in his preface to the work, commonly called his Legacy, laments greatly that no public director of husbandry was established in England By Authority; and that we had not adopted the Flemish custom of letting farms upon improvement... Cromwell, in consequence of this admirable performance, allowed Hartlib a pension of 100l. a year ; and Hartlib afterwards, the better to fulfil the intentions of his benefactor, procured Dr. Beati's excellent annotations on the Legacy, with other valuable pieces from bis numerous correspondents.

Walter Harte

Rembrandt was already deeply involved in his attachment to Rubens - at once adopting him as his model and fighting to have the differences noticed. His [painting] 'Descent from the Cross', also painted in 1631 for the Stadholder, was directly taken from the engraving after Rubens's greatest masterpiece in Antwerp Cathedral', while at the same time being a calculated Protestant response to the immense diapason of the [catholic] Flemish master's altar-piece.

Rembrandt