Laughton Quotes
The happiest screen collaboration of Elsa Lanchester and Charles Laughton - they're both wonderful - is in this adaptation of a Somerset Maugham story, "The Vessel of Wrath." It's set on an island in the Pacific, which Maugham calls Baru, and it's concerned with the efforts of the prim missionary (Lanchester) to reform the carnal, ribald beachcomber (Laughton). The situation is the reverse of that in Maugham's Sadie Thompson story, but with a light, comic tone. The Hepburn-Bogart "African Queen" probably took a few notions from it.
Pauline Kael
Charles Laughton is superbly vulgar in this whack at the backside of Victorianism. He makes a great vaudeville turn out of the role of an egocentric scoundrel, the prosperous bootmaker who doesn't want to part with his three marriageable daughters because they are too useful as unpaid labor. As the oldest daughter, the spinster in spite of herself, Brenda de Banzie is so "right" that when she marries her father's best workman and puts belching, drunken old Dad out of business, one feels the good old-fashioned impulse to applaud.
Pauline Kael
Like Barrymore and Laughton and Brando, he seemed to be developing an obsession with false noses, false faces. He had once, at least, played a role in his own face, Harry Lime in The Third Man, a role he had written for himself; [B]y the sixties he was encased in make-up and his own fat, like an huge operatic version of W.C. Fields.
Orson Welles
