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Top 7 Suppleness Quotes - Quotesdtb.com
Suppleness Quotes
I think continually of some way of painting without the dot. I hope to achieve this but I have not been able to solve the problem of dividing the pure tone without harshness.. .How can one combine the purity and simplicity of the dot with the fullness, suppleness, liberty, spontaneity and freshness of sensation postulated by our impressionist art? This is the question which preoccupies me, for the dot is meager, lacking in body, diaphanous, more monotonous than simple, even in the Seurat's, particularly in the Seurat's [paintings].. .I'm constantly pondering this question, I shall go to the Louvre to look at certain painters who are interesting from this point of view. Isn't it senseless that there are no Turners [here]..
Camille Pissarro
One outcome of the Norman Conquest was the making of the English language. ...the speech of Alfred and Bede, was exiled from hall and bower, from court and cloister, and was despised as a peasant's jargon... It ceased almost, though not quite, to be a written language. ... Now when a language is seldom written and is not an object of interest to scholars, it quickly adapts itself in the mouths of plain people to the needs and uses of life. ...it can be altered much more easily when there are no grammarians to protest. During the three centuries when our native language was a peasant's dialect, it lost its clumsy inflexions and elaborate genders, and acquired the grace, suppleness, and adaptability which are among its chief merits.
G. M. Trevelyan
In general, it is possible to say that in artists as deliberate, as careful as [Durer and Holbein], drawing is particularly tight and the color is as cold as the verity of mathematics. In other artists, on the contrary, in those who are the poets of the heart, like Raphael, Correggio, Andrea del Sarto, line has more suppleness and color, more winning tenderness. In others whom we call realists that is to say, whose sensibility is more exterior, in Rubens, Velasquez, Rembrandt, for example, line has a living charm with its force and its repose, and the color sometimes bursts into a fanfare of sunlight, sometimes fades into mist.
So, the modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them drawing and color are better or worse than in others.
Auguste Rodin