Performative Quotes

I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative. (Irvine Welsh)
If we compare the third-person attitude of someone who simply says how things stand (this is the attitude of the scientist, for example) with the performative attitude of someone who tries to understand what is said to him (this is the attitude of the interpreter, for example), the implications ... become clear. ... First, interpreters relinquish superiority that observers have by virtue of their privileged position, in that they themselves are drawn, at least potentially, into negotiations about the meaning and validity of utterances. By taking part in communicative action, they accept in principle the same status as those whose utterances they are trying to understand. ... It is impossible to decide a priori who is to learn from whom.
Jürgen Habermas
Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear.
Anne Enright
We act as if that being of a man or that being of a woman is actually an internal reality or something that is simply true about us, a fact about us, but actually its a phenomenon that is being produced all the time and reproduced all the time, so to say gender is performative is to say that nobody really is a gender from the start.
Judith Butler
To say that gender is performative is a little different because for something to be performative means that it produces a series of effects. We act and walk and speak and talk in ways that consolidate an impression of being a man or being a woman.
Judith Butler
"Third and finally, poetry originated as a form of vocal music. It began as a performative and auditory medium, linked to music and dance and associated with civic ceremony, religious ritual, and magic. (The earliest poetry almost certainly served a shamanistic function.) Most aboriginal cultures did not distinguish poetry from song because the arts were so interrelated as to be porous. Nor did the classical Greek or Chinese cultures two or three millennia ago differentiate poetry from song" (10).
Dana Gioia
Then there are the phones designed for East Asian sensibilities. The same region that brought us the selfie stick also brought us Oppo, a company whose phone's principal selling points include a high-quality camera and custom software that automatically airbrushes photos with faces in them. The ad campaigns emphasize a particularly performative form of femininity, since, in a nice touch, the software makes a guess about the gender of the subject-everyone gets smoother skin, but only the ladies get their lips reddened. Despite successful rollouts in Thailand and Korea, Oppo has not made much of a dent in markets outside East Asia. Their U.S. launch was a bust.
Clay Shirky
[A] global culture is without time. Forever pursuing an elusive present, an artificial and standardised universal culture has no historical background, no developmental rhythm, no sense of time and sequence. Contextless and timeless, this artificial global culture may quarry the past for illustrative purposes or cynically use motifs from particular pasts with eclectic caprice, but it refuses to locate itself in history. Stripped of any sense of development beyond the performative present, and alien to all ideas of "roots", the genuine global culture is fluid, ubiquitous, formless and historically shallow.
Anthony D. Smith