Effeminacy Quotes
Thought depends on the habitual exercise of the speculative faculties; action, on the determination of the will. The one assigns reasons for things, the other puts causes into act. ... Such is the effeminacy of the speculative and philosophical temperament, compared with the promptness and vigour of the practical! ... Reasoners in general are undecided, wavering, and sceptical, or yield at last to the weakest motive as most congenial to their feeble habit of soul.
William Hazlitt
Not only boxing, but wrestling, quarter-staff, single-stick, bull-baiting, every exercise of the common people, that supposes the possible risk of life or limb, and, of course, that tends to prepare them for deeds of bravery of a higher order, and, by the means of those deeds and of the character and consequence naturally growing out of them, to preserve the independence and the liberties of their country; every such exercise seems to be doomed to extirpation. ... Every thing calculated to keep alive the admiration, and even the idea, of hardihood, seems to have become offensive and odious in the sight of but too many of those, whose duty it is to endeavour to arrest, and not to accelerate, the fatal progress of effeminacy. ... That cuttings and stabbings are more fatal than boxing, to say nothing of the disgrace, every one must agree; and, it cannot be denied, that the former have increased in proportion as the latter has been driven from amongst the people.
William Cobbett
Commerce, Opulence, Luxury, Effeminacy, Cowardice, Slavery: these are the stages of national degradation. We are in the fourth; and, I beg the reader to consider, to look into history, to trace states in their fall, and then say how rapid is the latter part of the progress! Of the symptoms of effeminacy none is so certain as a change from athletic and hardy sports, or exercises, to those requiring less bodily strength, and exposing the persons engaged in them to less bodily suffering; and when this change takes place, be assured that national cowardice is at no great distance, the general admiration of deeds of hardihood having already been considerably lessened.
William Cobbett
With respect to the homosocial/homosexual style, it seems to be possible to divide Victorian men among three rough categories according to class. The first includes aristocratic men and small groups of their friends and dependents, including bohemians and prostitutes; for these people, by 1865, a distinct homosexual role and culture seem already to have been in existence in England... It seems to have constituted a genuine subculture, facilitated in the face of an ideologically hostile dominant culture by money, privilege, internationalism, and for the most part, the ability to command secrecy... This role is closely related to - is in fact, through Oscar Wilde, the antecedent of - the particular stereotype that at least until recently has characterized American middle-class gay homosexuality; its strongest associations, as we have noted, are with effeminacy, transvestism, promiscuity, prostitution, continental European culture, and the arts.
Eve Kosofsky Sedgwick
The tactical problems presented by the appearance of weakness as a group explain, to some extent, the visceral response many have to displays of flamboyant effeminacy. The word effeminacy is a bit misleading, because this really isn't about women. The dislike of what is commonly called effeminacy is about male status and practical concerns about tactical vulnerabilities, and it is more accurate to discuss dishonor in terms of deficient masculinity and flamboyant dishonor.
Jack Donovan
To say it once again: today I find it an impossible book - badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.
Friedrich Nietzsche
