Frieze Quotes

The Spanish voyager, as his caravel ploughed the adjacent seas, might give full scope to his imagination, and dream that beyond the long, low margin of forest which bounded his horizon lay hid a rich harvest for some future conqueror; perhaps a second Mexico with its royal palace and sacred pyramids, or another Cuzco with its temple of the Sun, encircled with a frieze of gold. Haunted by such visions, the ocean chivalry of Spain could not long stand idle. (Francis Parkman)
Picasso was wild about it and said it was one of the best things I have ever made. [on Miro's exhibition in Paris, 1938 where he showed a big frieze, made for a children's room; commissioned by art-dealer Pierre Matisse in New York]. View quote
Joan Miró
It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it. View quote
Edvard Munch
I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available. View quote
Edvard Munch
By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life. View quote
Edvard Munch
My brother [the sculptor artist Raymond Duchamp-Villon had a kitchen in his little house in Puteaux, and he had the idea of decorating it with pictures by his buddies. He asked Gleizes, Metzinger, La Fresnaye, and I think Leger [all Cubist painters, then] to do some little paintings of the same size, like a sort of frieze. He asked me too, and I painted a coffee grinder which I made to explode. View quote
Marcel Duchamp
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything. View quote
Jerry Saltz
In 1928 I designed a photo-montage frieze of 24 by 3.5 m for our 'Pressa' pavilion. It became the example par excellence for all larger-than-life montages, which were a permanent feature of the exhibitions from then on. During Majakovskij's stay in Berlin in 1923 I was commissioned to design his book 'For the Voice'. The book was recognized as the starting-point of a new typography, and the Gutenberg Society in Mainz made me a member. Another field of my work is the artistic and poly-graphic design of albums and periodicals. View quote
El Lissitsky