Durer Quotes
Artists have, for the most part, bound themselves down to follow a blind routine. Noble exceptions, however, have presented themselves. Nicholas Poussin, one of the most profound thinkers, whom the arts have produced, took care to correct and regulate by the antique the proportions which Leon Baptista Alberti and Albert Durer had given from the living model.
Adolphe Quetelet
Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there [in Berlin, a stay for three weeks]. I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me... Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing.
Ernst Ludwig Kirchner
In general, it is possible to say that in artists as deliberate, as careful as [Durer and Holbein], drawing is particularly tight and the color is as cold as the verity of mathematics. In other artists, on the contrary, in those who are the poets of the heart, like Raphael, Correggio, Andrea del Sarto, line has more suppleness and color, more winning tenderness. In others whom we call realists that is to say, whose sensibility is more exterior, in Rubens, Velasquez, Rembrandt, for example, line has a living charm with its force and its repose, and the color sometimes bursts into a fanfare of sunlight, sometimes fades into mist.
So, the modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them drawing and color are better or worse than in others.
Auguste Rodin
The beginning of the sixteenth century, the Cinquecento, is the most famous period of Italian art, one of the greatest periods of all time. This was the time of Leonardo da Vinci and Michelangelo, of Raphael and Titian, of Correggio and Giorgione, of Dürer and Holbein in the north, and of many other famous masters. One may well ask why it was that all these great masters were born in the same period, but such questions are more easily asked than answered. One cannot explain the existence of genius. It is better to enjoy it.
Ernst Gombrich
When I look in the mirror, I am slightly reminded of self-portraits by Durer and by Rembrandt, because they both show a degree of introspection. I see some element of disappointment; I see a sense of humour, but also something that is faintly ridiculous; and I see somebody who is frightened of being found out and thought lightweight.
Robert Winston
It would be an error... to suppose that science makes the artist; yet it lends to him the most powerful assistance. In general, it is difficult to keep it within due limits; and I shall even freely admit that Albert Durer, in his work upon the proportions of the human frame, has imparted to it a certain scientific dryness, which lessens its utility. One finds there more of the geometer than the artist, and the geometer, moreover, such as he was at a time when it had not yet been discovered how much the rules of style enhance the value of scientific works, and, above all, of those which appertain at the same time to the domain of the fine arts.
Adolphe Quetelet
Titian was visited on a certain occasion by a company of German travelers.. ..these gentlemen declared that they only knew of one master capable of finishing as they thought paintings ought to be finished, and that was Dürer.. ..To these observations Titian smilingly replied, that if he had thought extreme finish to be the end and aim of art, he too would have fallen into the excesses of Dürer. But though long experience had taught him to prefer a broad and even track to a narrow and intricate path, yet he would still take occasion to show that the subtlest detail might be compassed without sacrifice of breadth, and so produced the 'Christ of the Tribute Money'.
Titian
