Alliteration Quotes

The masterpiece should appear as the flower to the painter-perfect in its bud as in its bloom - with no reason to explain it's presence - no mission to fulfill - a joy to the artist, a delusion to the philanthropist - a puzzle to the botanist - an accident of sentiment and alliteration to the literary man. (James McNeill Whistler)
Alliteration seems to offend people. View quote
Dean Koontz
Polyphonic prose is a kind of free verse, except that it is still freer. Polyphonic makes full use of cadence, rime, alliteration, assonance. View quote
Amy Lowell
Tzara: Causality is no longer fashionable owing to the war. Carr: How illogical, since the war itself had causes. I forget what they were, but it was all in the papers at the time. Something about brave little Belgium, wasn't it? Tzara: Was it? I thought it was Serbia... Carr: Brave little Serbia...? No, I don't think so. The newspapers would never have risked calling the British public to arms without a proper regard for succinct alliteration. View quote
Tom Stoppard
Alliteration the mind - Temple, life is a honeymoon vernal song on the humble bee's lips, Alcoholic realized in the mustard flower, as like friend. View quote
Ravindra Prabhat
Based on the metaphysical implications of the Dadaist dogma.... Arp's Reliefs [carvings] between 1916 and 1922 are among the most convincing illustrations of that anti- rationalistic era... Arp showed the importance of a smile to combat the sophistic theories of the moment. His poems of the same period stripped the word of its rational connotation to attain the most unexpected meaning through alliteration or plain nonsense. View quote
Marcel Duchamp
Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It's a language aside from the language they have with strangers. I've always been maybe an abuser of alliteration, but I've always loved it and I like how those words sound together. View quote
Ben Gibbard
Like many modern poets, I tend to conceal rhymes by placing them in the middle of lines, and to avoid immediate alliteration and assonance in favor of echoes placed later in the poems. View quote
Margaret Atwood
Well, I think it is accidental. It's just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words... He would use so many odd words: like these three- and four-syllable words that you just don't normally hear. And they're not used in a manner that sets the text apart from the reader. Rather they're drawing the reader in. It's entirely based on the alliteration of the word itself-onomatopoeia and things like that. I feel like a lot of the words I use don't stick out in the song because they keep the feel of the song in mind. The rhythm-that's the primary thing. They're put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they're real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they're going to do is draw the listener in even more. View quote
Colin Meloy
Ed walked away from the program feeling fortified and stapled. His brain was buzzing, the way it always did just after Jeopardy! He loaded up the microbus with Atlases and poseidons and headed for Pope County. "I've had it," he sang. "I've had it with puns, alliteration, Russian literature, Italian neorealism, meaningless cross-references, and laundry lists of nonsense. I shall drive without a license, without clothing, without direction, and if I make it to Arkansas, fine, and if I'm running late, if I'm running a numbers game, it doesn't matter, I shall keep on running. Yes, this is the answer. This is the ending. I shall keep on running, because a body in motion tends to stay emotional, and it's better to feel. Pain is better than emptiness, emptiness is better than nothing, and nothing is better than this." View quote
John S. Hall
He had a reservoir of learning, from which he drew gracefully and effortlessly. But the most marked quality of his judicial and non-judicial writing was not the ability to borrow an apt quotation or to find an idea well expressed by one who had written before him; it was the ability to think brilliantly in original and bold fashion and to express his thoughts in forceful and eloquent English of a style inimitably his own. His writing was pithy and pungent; yet he never sacrificed clarity of thought for a well-turned phrase. He was a master of the paradox; he had a great love of alliteration and his antithetical statements were gems. Yet his wit never descended to the frivolous; it always added a barb to the telling point. His wit was especially telling when turned upon himself or his Court. (Robert H. Jackson)