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Viennese Quotes
The attitude of foreign to English musicians is unsympathetic, self-opinionated and pedantic. They believe that their tradition is the only one (this is specially true of the Viennese) and that anything that is not in accordance with that tradition is "wrong" and arises from insular ignorance.
Ralph Vaughan Williams
What struck me most in this conversation was a radical passion for truthfulness in everything (which I came to know as a characteristic vogue among the young Viennese intellectuals of the generation immediately preceding mine only in the following university years). This truthfulness became almost a fashion in that border group between the purely Jewish and the purely Gentile parts of the intelligentsia in which I came so much to move. It meant much more than truth in speech. One had to "live" truth and not tolerate any pretence in oneself or others. It sometimes produced outright rudeness and, certainly, unpleasantness. Every convention was dissected and every conventional form exposed as fraud. Wittgenstein merely carried this further in applying it to himself. I sometimes felt that he took a perverse pleasure in discovering falsehood in his own feelings and that he was constantly trying to purge himself of all fraud.
Friedrich Hayek
Viennese life at the turn of the century provided opportunities in salons and coffeehouses for scientists, writers, and artists to come together in an atmosphere that was at once inspiring, optimistic, and politically engaged. ...science was no longer the narrow and restrictive province of scientists but had become an integral part of Viennese culture. ...a paradigm for how an open dialogue can be achieved.
Eric Kandel
The portraits of the Viennese modernists, with their conscious and dramatic attempts to depict their subject's inner feelings, represent an ideal example of how psychological and biological insights can enrich our relationship with art.
Eric Kandel
One of the characteristic features of Viennese life at this time was the continual, easy interaction of artists, writers, and thinkers with scientists.
Eric Kandel
I have often wondered how different Zionism might have been if Herzl had not been a Viennese journalist but a shopkeeper in a Damascus bazaar. Would Zionism have realized that Palestine was a part of a big area inhabited by Arabs? Might some solution have been found at the very beginning to the problem of co-existence with the people who considered Palestine their own homeland? But these are, of course idle thoughts. Herzl could not have been anything but a European Jew, because his whole idea was a response to a specific challenge posed by European conditions.
Uri Avnery
The Viennese wash everything. Where else in the world does the government hire public servants to wash public telephone booths and the glass over traffic lights? Every time I see someone doing these things, I smile like a child.
Jonathan Carroll
We lived in a large wooden house, with one room succeeding another [Zadkine, recalling in this quote his childhood's days in Smolensk, Russia]. The house was at the end of a blind alley. On one side were a beautiful garden and an orchard. In the summer there was an atmosphere of fragrance and peace. A large room with three windows looked out into the courtyard. Bookshelves along the walls with books and more books; a black table and six ugly Viennese chairs, also black, and in the center of the bare, inhospitable table, a sort of vase in coloured plaster representing a hand holding a goblet. It was the only piece of sculpture in the house!
Ossip Zadkine
The absolutely inaudible is rejected from music during the period of Viennese Classicism in which every musical line is potentially or imaginatively audible, but it makes a dramatic reappearance in the music of Schumann. The most striking of many examples is one of the episodes in the Humoresk, the last of the great piano works of Schumann's early years. ... There are three staves: the uppermost for the right hand; the lowest for the left; the middle, which contains the melody, is not to be played. Note that the melody is no more to be imagined as a specific sound than it is to be played: nothing tells us that the melody is to be heard as vocal or instrumental. This melody, however, is embodied in the upper and lower parts as a kind of after-resonance-out of phase, delicate, and shadowy.
Charles Rosen
I owe my existence in the United States to the generosity of the Viennese Kultusgemeinde.
Eric Kandel