Reclining Quotes
![There are also animals which are called elks [alces "moose" in Am. Engl.; elk "wapiti"]. The shape of these, and the varied colour of their skins, is much like roes, but in size they surpass them a little and are destitute of horns, and have legs without joints and ligatures; nor do they lie down for the purpose of rest, nor, if they have been thrown down by any accident, can they raise or lift themselves up. Trees serve as beds to them; they lean themselves against them, and thus reclining only slightly, they take their rest; when the huntsmen have discovered from the footsteps of these animals whither they are accustomed to betake themselves, they either undermine all the trees at the roots, or cut into them so far that the upper part of the trees may appear to be left standing. When they have leant upon them, according to their habit, they knock down by their weight the unsupported trees, and fall down themselves along with them. (Julius Caesar)](https://static.quotesdtb.com/img/quotes_images/85/julius-caesar-accident-appear-423285.jpg)
[in Italian Renaissance] there was no 'subject-matter'. What we call subject matter now, was then painting itself. Subject matter came later on when parts of those works were taken out arbitrarily, when a man for no reason is sitting, standing or lying down. He became a bather, she became a bather; she was reclining; he just stood there looking ahead. That is when the posing in painting began... For really, when you think of all the life and death problems in the art of Renaissance, who cares if a Chevalier is laughing or that a young girl has a red blouse on.
Willem de Kooning
..these reproductions were in Zwemmer's bookshop [in the 1920's]. I can see them now. They were black. There was one on Negro sculpture, one on Mexican sculpture, one on an Egyptian sculpture, and so on. And all these I knew. And in one of them was this small reproduction of the Chac Mool [famous Toltec-Maya sculpture]. It was the pose that struck me – this idea of a figure being on its back and turned upwards to the sky instead of lying on its side, which is a different sort of idea from the Renaissance, or Greek reclining figure, which is usually on its side. And this gave me all sorts of chances of making variations on it.
Henry Moore
We had no sooner taken our seats in the railway carriage and the train was beginning to move slowly out of the station when the guard came along the corridor and presented me with my viola! The porter had spotted it, reclining in its case all alone on the platform seat where Lillian and I had been busily engaged in conversation, run along the platform, and thrust it into the hands of the guard through the luggage van window as the train was moving off. Such was my absorption in Lillian that I could even forget the existence of my beloved and precious viola which had meant so much to me for so many years.
Lionel Tertis
At the Ashram I was told that the Maharshi was in the hall and anybody was free to walk in and see him. As I entered, I saw on the couch an elderly man, wearing but a loincloth, reclining against a round bolster. I sat down at the very foot of the couch. The Maharshi suddenly opened his eyes and looked straight into mine: I looked into his. A mere look, that was all. I felt that the Maharshi was, in that split moment, looking deep into me – and I was sure that he saw all my shallowness, confusions, faithlessness, imperfections, and fears. I cannot explain what happened in that one split moment. I felt opened, cleaned, healed, and emptied! A whirl of confusions: my atheism dropping away, but scepticism flooding in to question, wonder, and search. My reason gave me strength and I said to myself, ‘It is all mesmerism, my own foolishness.' Thus assuring myself, I got up and walked away.
Chinmayananda Saraswati
