Paleolithic Quotes

The Paleolithic hunters who painted the unsurpassed animal murals on the ceiling of the cave at Altamira had only rudimentary tools. Art is older than production for use, and play older than work. Man was shaped less by what he had to do than by what he did in playful moments. It is the child in man that is the source of his uniqueness and creativeness, and the playground is the optimal milieu for the unfolding of his capacities. (Eric Hoffer)

If you look at Paleolithic cave paintings, you see how people were depicted inside nature, not outside it. It was a kind of dream time. That's what I'm exploring.

Gregory Colbert

The Eskimo, like any pre-literate, leaps easily from the Paleolithic stone age to the electric age, by-passing the Neolithic specialism.

Marshall McLuhan

We have Paleolithic emotions, medieval institutions, and god-like technology.

E. O. Wilson

Will we solve the crises of next hundred years? asked Krulwich. "Yes, if we are honest and smart,” said Wilson. "The real problem of humanity is the following: we have paleolithic emotions; medieval institutions; and god-like technology. And it is terrifically dangerous, and it is now approaching a point of crisis overall.” Until we understand ourselves, concluded the Pulitzer-prize winning author of On Human Nature, "until we answer those huge questions of philosophy that the philosophers abandoned a couple of generations ago-Where do we come from? Who are we? Where are we going?-rationally,” we're on very thin ground.

E. O. Wilson

The first major discovery of prehistoric art was the Spanish cave of Altamira, which, like Lascaux, is one of the most spectacular examples of Upper Paleolithic art yet known.

Richard Leakey

Of the range of images in Upper Paleolithic art, the most arresting are the therianthropes. There are not many... but they seize the imagination. The most famous is the so-called sorcerer... In a manner unusual for Upper Paleolithic images, the sorcerer is staring directly out of the wall, a full-face stare that transfixes the spectator.

Richard Leakey

Dots are just one example of an element in Lascaux art, and in all cave art... This is a profusion of nonrepresentational, geometric patterns. In addition to dots, there are grids and chevrons, curves and zigzags, and more. ...The coincidence of these geometric motifs with representational images is one of the most puzzling aspects of Upper Paleolithic art. ...images, six different kinds in all, are shimmering, incandescent, mercurial-and powerful. Called entoptic images-which means "within vision"-these phenomena are products of the basic neural architecture of the human brain.

Richard Leakey

The question... is whether Upper Paleolithic art bears the telltale signs of Lewis-Williams' three stage neuropsychological model, and could thus be shamanistic art.

Richard Leakey

The first era of the Upper Paleolithic, the Aurignacian, is notable for several reasons, one of which is the absence of painted caves. ...One of the most evocative pieces from this era, from the Abri Blanchard in southwestern France, is a flute. Music must have been an integral part of Upper Paleolithic life too.

Richard Leakey

Perhaps I shall not write my account of the Paleolithic at all, but make a film of it. A silent film at that, in which I shall show you first the great slumbering rocks of the Cambrian period, and move from those to the mountains of Wales...from Ordovician to Devonian, on the lush glowing Cotswolds, on to the white cliffs of Dover... An impressionistic, dreaming film, in which the folded rocks arise and flower and grow and become Salisbury Cathedral and York Minster. (Penelope Lively)

The history of human development can neatly be divided into two epochs: (1) the feminine, yin, agro-sedentary pastoral idyll of the old-to-late Paleolithic Mother-Earth-Goddess religions and (2) the masculine, yang, technomobile hunter-gatherer-warrior field effect of urbanized, late-Neolithic-to-Modern Father-Sky-God religions.

Malcolm Azania

The more we progress the more we tend to progress. We advance not in arithmetical but in geometrical progression. We draw compound interest on the whole capital of knowledge and virtue which has been accumulated since the dawning of time. Some eighty thousand years are supposed to have existed between paleolithic and neolithic man. Yet in all that time he only learned to grind his flint stones instead of chipping them. But within our father's lives what changes have there not been? The railway and the telegraph, chloroform and applied electricity. Ten years now go further than a thousand then, not so much on account of our finer intellects as because the light we have shows us the way to more. Primeval man stumbled along with peering eyes, and slow, uncertain footsteps. Now we walk briskly towards our unknown goal.

Arthur Conan Doyle