Turban Quotes
This Spring of 1911 Marianne von Werefkin [his former study-mate in Russia and in fact his life-comapnion for many years, but never married] Andrei, Helene and I went to Prerow on the Baltic [coast]. For me that summer meant a great step forward in my art. I painted my finest landscapes there as well as large figure paintings in powerful, glowing colours and not at all naturalistic or objective. I used a great deal of red, blue, orange, cadmium yellow and chromium-oxide green. My forms were very strongly contoured in Prussian blue, and came with tremendous power from an inner ecstasy. 'Der Buckel', 'Violetter Turban', 'Selbstporträt'.. ..were created in this way. It was a turning-point in my art. It was in these years, up to 1914, just before the war [World War 1.], that I painted my most powerful works, referred to as the pré-war works.
Alexej von Jawlensky
Three cartoons made political points.
One showed Muhammad turning away suicide bombers from the gates of heaven, saying "Stop, stop - we ran out of virgins!" - which I believe was a commentary on Muslims' predilection for violence. Another was a cartoon of Muhammad with horns, which I believe was a commentary on Muslims' predilection for violence. The third showed Muhammad with a turban in the shape of a bomb, which I believe was an expression of post-industrial ennui in a secular - oops, no, wait: It was more of a commentary on Muslims' predilection for violence.
In order to express their displeasure with the idea that Muslims are violent, thousands of Muslims around the world engaged in rioting, arson, mob savagery, flag-burning, murder and mayhem, among other peaceful acts of nonviolence.
Muslims are the only people who make feminists seem laid-back.
Ann Coulter