Leger Quotes
![.. the art of futurism.... achieved great momentum in the first quarter of the Twentieth Century and remains a basic stimulus in the following forms of new art: Suprematism, Simultaneism, Purism, Odorism, Pankinetism, Tactilism, Haptism, Expressionism and Légerísm [referring to Fernand Léger in the last... ism, mentioned]. (Kazimir Malevich)](https://static.quotesdtb.com/img/quotes_images/42/kazimir-malevich-art-basic-304742.jpg)
It was during this early period of experiment that I first went to Paris. The time was around 1910 when Cubism was in its beginnings. I admired Matisse, Van Dongen and the other Fauves, but I was immediately drawn to the Cubists, especially to Picasso and Léger. Of all the abstractionists (Kandinsky and the Futurists) I felt that only the Cubists had discovered the right path; and, for a time, I was much influenced by them.
Piet Mondrian
From our very first conversation in the Closerie des Lilas the day after the opening of the first exhibition of Futurist painting [in Paris, February 1912] I noticed that Fernand Léger was one of the most gifted and promising Cubists... Léger's article ('Les origins de la peinture et sa valeur representative', Mai 1913) is a true act of Futurist faith which give us great satisfaction - all the more so since the author is kind enough to mention us.
Umberto Boccioni
In Braque and Gris, they seemed to have idea of the organization beforehand in their mind. With Bonnard, he is organizing in front of you. You can tell in Leger just when he discovered how to make it like an engine.... What's wrong with that? You see it in Barney (=Barnett Newman) too, that he knows what a painting should be. He paints as he thinks painting should be, which is pretty heroic..
Franz Kline
Human labor, through all its forms, from the sharpening of a stake to the construction of a city or an epic, is one immense illustration of the perfect compensation of the universe. The absolute balance of Give and Take, the doctrine that every thing has its price, - and if that price is not paid, not that thing but something else is obtained, and that it is impossible to get any thing without its price, - is not less sublime in the columns of a leger than in the budgets of states, in the laws of light and darkness, in all the action and reaction of nature. I cannot doubt that the high laws which each man sees implicated in those processes with which he is conversant, the stern ethics which sparkle on his chisel-edge, which are measured out by his plumb and foot-rule, which stand as manifest in the footing of the shop-bill as in the history of a state, - do recommend to him his trade, and though seldom named, exalt his business to his imagination.
Ralph Waldo Emerson
My brother [the sculptor artist Raymond Duchamp-Villon had a kitchen in his little house in Puteaux, and he had the idea of decorating it with pictures by his buddies. He asked Gleizes, Metzinger, La Fresnaye, and I think Leger [all Cubist painters, then] to do some little paintings of the same size, like a sort of frieze. He asked me too, and I painted a coffee grinder which I made to explode.
Marcel Duchamp
[On the question: 'What was your main stylistic influence up to this time']: The Renaissance chiefly - Piero, Mantegna, Uccello - but I was attracted also by the modern idioms - Léger, Picasso - and was close to the abstract painters on the project such as Stuart Davis, Burgoyne Diller, Arshile Gorky, Balcomb Greene, etc. At the time I did the Queens project, there was already a marked change in my work - it was becoming more concerned with cubist concepts of treating space.
Phillip Guston
Never had the critics been so violent as they were at that time. From which it became clear that these paintings - and I specify the names of the painters who were, alone, the reluctant causes of all this frenzy: Jean Metzinger, Le Fauconnier, Fernand Léger, Robert Delaunay and myself - appeared as a threat to an order that everyone thought had been established forever.
Albert Gleizes
One day Pierre Loeb said to me that the ideal picture is one which is completely clear in the artist's mind before he puts a mark on the canvas, and this was, at any rate in this period.. ..Léger's opinion. It is the basis on which classical art is built. Therefore the setting-down of the picture on the canvas is in itself something quite unimportant. This is connected with [Fernand] Léger's hatred of textural effects in painting. But I love these effects. I remember that I was once told off because I had applied a thick layer of color instead of the thin and even layer that Léger wanted. To him that was not painting but mere color. If he could have got a machine instead of a brush to apply the color, he would have done so.
Asger Jorn
Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..
Marino Marini
It is an outrage towards the masses.. ..It's wanting to treat them as though they're incapable of raising themselves up to this new realism [promoted by Léger and Le Corbusier ] which is that of their area, which they've made with their hands.. .To want to say to these men 'the modern is not for you it's an art for the rich bourgeoisie..' [attack on the notion of Social Realism art].
Fernand Léger
Perhaps Archbishop Paul-Émile Léger suffered from what they call in French a taste for the sensational. He was like one of those matadors who, as the cadence of the oles gets more and more rapid, are always trying to find something more daring to do. He grew hasty in his desire to produce new spectacles and maybe did a few ill-considered things. But on the whole I remain impressed with him.
Conrad Black
