Maugham Quotes
We write in the language of Dryden and Addison, of Milton and Shakespeare, but the intellectual world we inhabit is that of Flaubert and Baudelaire; it is to them, and not to their English contemporaries, that we owe our conception of modern life. The artist whose reward is perfection and where perfection can be obtained only by a separation of standards from those of the non-artist is led to adopt one of four rôles: the High Priest (Mallarmé, Joyce, Yeats), the Dandy (Firbank, Beerbohm, Moore), the Incorruptible Observer (Maugham, Maupassant) or the Detached Philosopher (Strachey, Anatole France). What he will not be is a Fighter or Helper.
Cyril Connolly
The happiest screen collaboration of Elsa Lanchester and Charles Laughton - they're both wonderful - is in this adaptation of a Somerset Maugham story, "The Vessel of Wrath." It's set on an island in the Pacific, which Maugham calls Baru, and it's concerned with the efforts of the prim missionary (Lanchester) to reform the carnal, ribald beachcomber (Laughton). The situation is the reverse of that in Maugham's Sadie Thompson story, but with a light, comic tone. The Hepburn-Bogart "African Queen" probably took a few notions from it.
Pauline Kael
That Somerset Maugham anthology Cakes and Ale. How destructive he is, venomous, pulling everything down in biting, corrosive cynicism. Yet somewhere deep down under all the conceit, sarcasm and snobbery is real quivering pain, helpless bewilderment at the inexplicable fact that human nature is chequered. And what perplexes him is less the common, mean element in decent people than the goodness and kindness of wicked, vicious ones.
Ida Friederike Görres
He stayed in no one place very long, but he usually managed to absorb something of the atmosphere of each town, village or rubber estate he visited, and he always made quick contact with the local residents. These residents were invariably Europeans - planters, colonial officials, businessmen, or just men living in exile to escape from trouble or sadness at home - and there is little evidence that Maugham gained, or wished to gain, any direct knowledge of the lives and customs of the native peoples of the East. This must be disappointing to present-day Malay and Indian and Chinese and Eurasian readers of his stories, but we have to remember that (apart from the fact that Maugham had no time to learn Malay or Chinese or Tamil) the Western attitude to the Far East was very different in Maugham's time from what it is today.
Anthony Burgess
Goethe said, "The author whom a lexicon can keep up with is worth nothing"; Somerset Maugham says that the finest compliment he ever received was a letter in which one of his readers said: "I read your novel without having to look up a single word in the dictionary." These writers, plainly, lived in different worlds.
Randall Jarrell
I sit in a London pub with Willie Maugham. I am distressed, because my first novel, Proud Emetic, has been coolly received by the critics. Its one favorable notice, in the Times, was vitiated by the last sentence, which called the book "a miasma of asinine cliches unrivalled in Western letters." Maugham explains that while this quote can be interpreted many ways, it might be best not to use it in the print ads.
Woody Allen
