Millet Quotes
By Jesus's time the Law of Moses, originally established for the government of a semi-barbarous nation of herdsmen and hill-farmers, resembled a petulant great-grandfather who tries to govern a family business from his sick-bed in the chimney-corner, unaware of the changes that have taken place in the world since he was able to get about: his authority must not be questioned, yet his orders, since no longer relevant, must be reinterpreted in another sense, if the business is not to go bankrupt. When the old man says, for instance: "It is time for the women to grind their lapfuls of millet in the querns,” this is taken to mean: "It is time to send the sacks of wheat to the water-mill.”.
Robert Graves
Millet was one of those artists on whom a few formal ideas make so deep an impression that they feel compelled to spend the whole of their lives in trying to lever them out. Perhaps this is the chief distinguishing mark of the classical artist; certainly it is what distinguishes his use of subject matter from that of the illustrator. The illustrator is essentially a reporter, his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time. He must give to his subjects an air of complete inevitability, and this becomes a problem of formal completeness. That is why the classic artists, Degas no less than Poussin, return to the same motives again and again, hoping each time to mould the subject closer to the idea.
Kenneth Clark
I fear that in a few years there may be a kind of 'panic', in this form: 'since Millet' we have sunk very low - the word decadence, now whispered or pronounced in veiled terms (see Herkomer), will then sound like an alarm bell. Many, like I myself, now keep quiet, because they already have the reputation of being awkward customers,5 and talking about it doesn't help. That - namely, talking - isn't what one needs to do - one must work, though with sorrow in the heart. Those who later cry out the loudest about decadence will themselves belong to it the most. I repeat: by this shall ye know them, [from: Matt. 7:16. ] by their work, and it won't be the most eloquent who say the truest things. See Millet himself, see Herkomer, they're certainly not orators, and speak almost reluctantly.
Vincent van Gogh
The peasants have their painters, Millet, Jaque, Breton; and that is a good thing.... Well and good: but between you and me, the bourgeois walking along the jetty towards the sunset, has just as much right to be caught on canvas, 'to be brought to the light'... They too are often resting after a day's hard work, these people who come from their offices and from behind their desks... There's a serious and irrefutable argument.
Eugène Boudin
Patience! They will come to it gradually! Rousseau has sold a landscape for five hundred francs; for my part, I have sold a view of Fontainebleau for seventy-five francs. And I am commissioned to ask you for companion sketches to your drawings. And this time, instead of twenty francs, they are to pay you twenty-five! (Millet replied resignedly: 'If I could only sell two drawings a week at that price all would go right!
Narcisse Virgilio Díaz
![At last, here is a new man [ Millet ], who has the knowledge which I would like to have, and movement, color, expression, too, - here is a painter! (Narcisse Virgilio Díaz)](https://cdn.quotesdtb.com/img/quotes_images_webp/32/narcisse-virgilio-d-az-947932.webp)
.. an entirely original painter [ Francois Millet ], high-minded and genuinely rustic in nature, who has expressed things about the country and its inhabitants, about their toil, their melancholy, and the nobleness of their labour. He has represented them in a somewhat barbaric fashion, in a manner to which his ideas gave a more expressive force than his hand possessed. The world has been grateful for his intentions; it has recognised in his methods something of the sensibility of a Burns who was a little awkward in expression.... He stands out as a deep thinker.
Eugène Fromentin
Removing the weeds, putting fresh soil about the bean stems, and encouraging this weed which I had sown, making the yellow soil express its summer thought in bean leaves and blossoms rather than in wormwood and piper and millet grass, making the earth say beans instead of grass, this was my daily work....
Henry David Thoreau
What surprising fellows those French painters are. A Millet, Delacroix, Corot, Troyon, Daubigny, Rousseau, and a Daumier.... Something else about Delacroix - he had a discussion with a friend about the question of working absolutely from nature, and said on that occasion that one should take one's 'studies' from nature - but that the 'actual painting' had to be made 'by heart'. This friend was walking along the boulevard when they had this discussion - which was already fairly heated. When they parted the other man was still not entirely persuaded. After they parted, Delacroix let him stroll on for a bit - then (making a trumpet of his two hands) bellowed after him in the middle of the street - to the consternation of the worthy passers-by:
'By heart! By heart!
Vincent van Gogh
But perhaps the most significant factor in the turn to a Greek ethnicism, which resisted both the Turkish turban and the Latin mitre in the years before the fall of Constantinople, was the opposition of the urban populace, led by the Orthodox party, monks, and priests, to the wealthy urban classes and the Byzantine court. After the Ottoman conquest in 1453, recognition by the Turks of the Greek millet under its Patriarch and Church helped to ensure the persistence of a separate ethnic identity, which, even if it did not produce a ‘precocious nationalism' among the Greeks, provided the later Greek enlighteners and nationalists with a cultural constituency fed by political dreams and apocalyptic prophecies of the recapture of Constantinople and the restoration of Greek Byzantium and its Orthodox emperor in all his glory.
Anthony D. Smith
