Weber Quotes
![Raymond Aron ascribes to Weber the view that 'each man's conscience is irrefutable.' ... while [Weber] holds that an agent may be more or less rational in acting consistently with his values, the choice of any one particular evaluative stance or commitment can be no more rational than any other. All faiths and all evaluations are equally non-rational. (Alasdair MacIntyre)](https://cdn.quotesdtb.com/img/quotes_images_webp/89/alasdair-macintyre-acting-agent-129989.webp)
The great writers-Marcel Proust, Anton Chekhov, Hannah Arendt, Simone Weil, Max Weber, Samuel Beckett, George Orwell, W. E. B. Du Bois, James Baldwin and others-knew that thought is subversive. They challenged and critiqued the dominant narrative, assumptions and structures that buttress power. They freed us. They did not cater to the latest fashion of the academy or popular culture. They did not seek adulation. They did not build pathetic monuments to themselves. They elucidated difficult and hard truths. They served humanity. They lifted up voices the power elites seek to discredit, marginalize or crush.
Chris Hedges
The new perspective also manifested itself in other ways: the shift of attention to sociologists such as Max Weber who were primarily concerned, not with overall 'development', but with the one specific development, that of modern society; the tendency to be concerned with those aspects of Marxism relevant to this one transition, and to ignore its Evolutionist aspects; and, recently and most characteristically, the concern with the notion of industrial society, and its antithesis, to the detriment of other classifications, oppositions and alternatives.
Ernest Gellner
Velocity of transverse undulations in our hypothetical medium, calculated from the electromagnetic experiments of 'MM'. Kohlrausch and Weber, agrees so exactly with the velocity of light calculated from the optical experiments of M. Fizeau, that we can scarcely avoid the conclusion that light consists in the transverse undulations of the same medium which is the cause of electric and magnetic phenomena.
James Clerk Maxwell
Algebraic geometry has developed in waves, each with its own language and point of view. The late nineteenth century saw the function-theoretic approach of Riemann, the more geometric approach of Brill and Noether, and the purely algebraic approach of Kronecker, Dedekind, and Weber. The Italian school followed with Castelnuovo, Enriques, and Severi, culminating in the classification of algebraic surfaces. Then came the twentieth-century "American" school of Chow, Weil, and Zariski, which gave firm algebraic foundations to the Italian intuition. Most recently, Serre and Grothendieck initiated the French school, which has rewritten the foundations of algebraic geometry in terms of schemes and cohomology, and which has an impressive record of solving old problems with new techniques. Each of these schools has introduced new concepts and methods.
Robin Hartshorne
I have never read Max Weber and do not know how he has arrived at the conclusion that "more tribals joined the Hindu mainstream as a result of the Muslim shock than the number of Hindus who were converted to Islam”. Perhaps he had in mind the people of Assam whom Bakhtyar Khalji and a few other Muslim invaders tried to subjugate, or the hill people all over our northern borders whom Muhammad Tughlaq tried to conquer but failed, or the Gonds who fought Akbar under Maharani Durgavati, or the Bhils who fought for freedom under Maharana Pratap, or the Mavlas who joined Shivaji at a later date. But the very fact that these so-called "tribals” fought spontaneously against the Muslim marauders rather than walk over to the winning side goes to prove that they shared a common culture with the rest of the natives.
Sita Ram Goel
To approach Chopin, you have to separate him completely from Schumann. Schumann admired Chopin very much and saw him as friend, but - what only few people know - Chopin himself had much less interest in and esteem for Schumann. In detail: Schumann's works follow on from a transitional period determined by the successors of Viennese Classicism, particularly Beethoven. Just as the sons of Bach espoused the ‘galant,' ornamented style of their generation, so the pupils of Mozart and Beethoven - Hummel, Ries, Czerny, Moscheles - took pains to compensate for a thinner musical substance with increased instrumental brilliance and thus prepared the ground for the golden age of the piano and the era of the Romantic virtuoso. Among the multitude of composers writing for the piano at that time, only two - Weber and Schubert - stand out as original creative forces.
Burkard Schliessmann
