Manic-depressive Quotes
I have often asked myself whether, given the choice, I would choose to have manic-depressive illness. ... Strangely enough, I think I would choose to have it. It's complicated. Depression is awful beyond words or sounds or images ... So why would I want anything to do with this illness? Because I honestly believe that as a result of it I have felt more things, more deeply; had more experiences, more intensely; ... worn death 'as close as dungarees', appreciated it - and life - more; seen the finest and most terrible in people ... But, normal or manic, I have run faster, thought faster, and loved faster than most I know. And I think much of this is related to my illness - the intensity it gives to things.
Kay Redfield Jamison
I spoke so much about being a manic-depressive. I want to bring everyone back to my earliest memories of this companion of mine. Some people call this companion I have an ailment, or worse a terrible nightmare from which some people cannot awaken. I know that I have nothing to be ashamed of. I have nothing that should garner a stigma.
Richard Dreyfuss
The point about manic depression or bipolar disorder, as it's now more commonly called, is that it's about mood swings. So, you have an elevated mood. When people think of manic depression, they only hear the word depression. They think one's a depressive. The point is, one's a manic-depressive.
Stephen Fry
I should say in haste that his early poetry gave him the right to think of himself as a giant. But he was also a nutter, one of the manic-depressive type who, when in a downhill phase, accuse themselves loudly of being Hitler. (They never accuse themselves of being the seventh anonymous stormtrooper from the right at a dedication ceremony for the new blood banner in a provincial town twenty miles from Dortmund: they always accuse themselves of being Hitler, just as the people who had previous lives in ancient Egypt always turn out to have been pharaohs or chief priests, and never night-shift workers on the crew that put up the third tallest obelisk in one of the satellite temples at Karnak).
Clive James
Since the advent of modernism, artists have been seeking to loosen the entanglement of work and subject, because they saw themselves pushed into a role that they did not necessarily want to occupy: one which offered freedom and independence on the upside, but in combination with isolation and powerlessness on the downside. While the workers of the Fordist factory developed collectivist strategies to pursue their goals, the particularities of the artist's existence – cast as productive eccentricity and manic-depressive individualism – made it more difficult for artists to organize to achieve their demands and improve their precarious living and working conditions. It was only with great difficulty that this group, condemned to autonomy, could free itself from the prison of its freedom.
Johannes Grenzfurthner
