Chartres Quotes
![The disturbing quality of life goes hand in hand with the disturbing quality of our time. The temporal emphasizes the perpetual... I willingly accept what I try to bring together. In the heads of my 'King and Queen' (Moore created in 1952/53] or in the head and the body of my 'Warrior' [1953/54], some mixture of degrees of realism is implicit. But we got used to this mixture in Chartres [the famous Gothic cathedral], and we shall get used to it again. I do not suggest that I have intentionally done it... It is just that in the head part I could focus, in essence, the intention of the entire figure... By contrasting the head to the natural structure of the rest, the whole idea of the figure is pointed out – it is these contrasts which do it. (Henry Moore)](https://cdn.quotesdtb.com/img/quotes_images_webp/52/henry-moore-body-cathedral-303052.webp)
What wonderful things [Renoir is reacting on Corot's painting 'Interior of Chartres Cathedral' and Delacroix's 'Interior of M. de Mornay's house', – he saw in 1919 from his wheelchair, in the reopened painting-rooms of the Louvre]. There isn't a single big picture worth any more than these two little ones... The Director [of the Louvre] was so charming to me. I wish I could have thanked him properly. If you meet him, tell him how much I enjoyed my visit. If I'd presented myself at the Louvre in my wheelchair thirty years ago, they'd have shot me out fast enough! You see, one has to live a long time to see such changes. I've been one of the lucky ones.
Pierre-Auguste Renoir
...we must go to the poets to see what they all meant by it; but the sum is an emotion - clear and strong as love and much clearer than logic,- whose charm lies in its unstable balance. The Transition is the equilibrium between the Love of God,- which is Faith, and the Logic of God,- which is Reason; between the round arch and the pointed. One may not be sure which pleases most, but one need not be harsh towards people who think that the moment of balance is exquisite. The last and highest moment is seen at Chartres where, in 1200, the charm depends on the constant doubt whether emotion or science is uppermost.
Henry Adams
At Chartres Christ is identified with his Mother, the spirit of love and grace, and his Church is the Church Triumphant.
Not only is Fear absent; there is not even a suggestion of pain; there is not a martyr with the symbol of his martyrdom; and what is still more striking, in the sculptured life of Christ, from the Nativity to the Ascension, which adorns the capitals of the columns, the single scene that has been omitted is the Crucifixion. There, as everywhere in this Portal, the artists seem actually to have gone out of their way to avoid a suggestion of suffering.
Henry Adams
How many years had he taken to admit a notion of what Michael Angelo and Rubens were driving at? He could not say; but he knew that only since 1895 had he begun to feel the Virgin or Venus as force, and not everywhere even so. At Chartres - perhaps at Lourdes - possibly at Cnidos if one could still find there the divinely naked Aphrodite of Praxiteles - but otherwise one must look for force to the goddesses of Indian mythology.
Henry Adams
If there was in all France, between 1140 and 1200, a more typical Englishman of the future Church of England type than John of Salisbury, he has left no trace; and John wrote a description of his time which makes a picturesque contrast with the picture painted by Abélard, his old master, of the century at its beginning. John weighed Abélard and the Schools against Bernard and the Cloister, and coolly concluded that the way to truth lay rather through Citeaux, which brought him to Chartres as Bishop in 1176, and to a mild scepticism in faith. "I prefer to doubt," he said, "rather than rashly define what is hidden."
Henry Adams
If you cannot feel the color and quality,- the union of naïveté and art,- the refinement,- the infinite delicacy and tenderness - of this little poem ["Tombeor de Notre Dame"], then nothing will matter much to you; and if you can feel it, you can feel, without more assistance, the majesty of Chartres.
Henry Adams
The Chartres apse is as entertaining as all the other Gothic apses together, because it overrides the architect. You may, if you really have no imagination whatever, reject the idea that the Virgin herself made the plan; the feebleness of our fancy is now congenital, organic, beyond stimulant or strychnine, and we shrink like sensitive plants from the touch of a vision or spirit; but at least one can still sometimes feel a woman's taste, and in the apse of Chartres one feels nothing else.
Henry Adams
In essence, religion was love; in no case was it logic. Reason can reach nothing except through the senses; God, by essence, cannot be reached through the senses; if he is to be known at all, he must be known by contact of spirit with spirit, essence with essence; directly; by emotion; by ecstasy; by absorption of our existence with his; by substitution of his spirit for ours. The world had no need to wait five hundred years longer in order to hear this same result reaffirmed by Pascal. Saint Francis of Assisi had affirmed it loudly enough, even if the voice of Saint Bernard had been less powerful than it was. The Virgin had asserted it in tones more gentle, but anyone can still see how convincing, who stops a moment to feel the emotion that lifted her wonderful Chartres spire up to God.
Henry Adams
Like all great churches, that are not mere store-houses of theology, Chartres expressed, besides whatever else it meant, an emotion, the deepest man ever felt,- the struggle of his own littleness to grasp the infinite. You may, if you like, figure in it a mathematic formula of infinity,- the broken arch, our finite idea of space; the spire, pointing, with its converging lines, to Unity beyond space; the sleepless, restless thrust of the vaults, telling the unsatisfied, incomplete, overstrained effort of man to rival the energy, intelligence and purpose of God. Thomas Aquinas and the schoolmen tried to put it in words, but their church is another chapter. In act, all man's work ends there;- mathematics, physics, chemistry, dynamics, optics, every sort of machinery science may invent,- to this favor come at last, as religion and philosophy did before science was born.
Henry Adams
They worked until the building was completed - master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God.
Ingmar Bergman
