Fugue Quotes
Economic man and the Calvinist Christian sing to each other like voices in a fugue. The Calvinist stands alone before an almost merciless God; no human agency can help him; his church is a means to political and social organization rather than a bridge to deity, for no priest can have greater knowledge of the divine way than he himself; no friend can console him - in fact, he should distrust all men; in the same fashion, Economic Man faces a merciless world alone and unaided, his hand against every other's.
Lionel Trilling
A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it.
Dmitri Shostakovich
In my own life I studied music, not creative writing; I see a novel as music - an opening as an overture, themes and subplots as lines in a fugue. The chance to write a novel about a musician boxed in by all kinds of limitations but who plays out his ultimate struggle for freedom at the piano was irresistible.
Nicole Mones
Now, I should like to say something else to you about the connection with music, primarily that of Bach, i. e. the Fugue or, put more simply, the canon... It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour..
M. C. Escher
Our sensuous appreciation of the world and of the works created by man has, no doubt, a biological foundation, one shared by all human beings, but that is no use to us when we try to evaluate a Bach fugue or a Dostoevsky novel-or even the simple experience of a landscape, as our delight in the view of a mountain or a waterfall is also determined by the traditions of our culture. The coexistence of different criteria of judgment is, in any case, by now a fact of life. Beethoven cannot be judged or even understood by the standards of Mozart, however much he may have continued them, nor Berg by the standards of Wagner or Richard Strauss, nor Elliott Carter by the values of Ives and Stravinsky.
Charles Rosen
Above all, Chopin was the greatest master of counterpoint since Mozart. This will appear paradoxical only if we equate counterpoint with strict fugue, and Chopin wrote no formal fugues except as an academic exercise. His chief training, in both composition and keyboard playing, however, came from a study of Bach, and it was a study that engaged him all his life and which he always recommended to his pupils.
Charles Rosen
Let's take a look at the 25th variation of the second part. Here Bach meets us in his highest and deepest personal and human form: it's like in the Art of Fugue in the unfinished fugue No. 20, where Bach confronts us with his personal signature. It was he himself, who, after he had been occupied during his whole life with symbols, with numbers, with the mastering of structural and formal problems and renewals, now he saw himself confronted with a personal view into mirror. He now shows us a human being in his whole conception of life. The composer of "Come, oh sweet death” now is confessing, "Oh sweet death, how bitter is your prickle.”.
Burkard Schliessmann
Shadwell?” said Suzanna.
"Their beloved Prophet,” came the reply. "Beneath that show of holiness I lent him there beats a salesman's heart.”
So Shadwell was the Prophet. What a perfect irony, that the seller of encyclopedias should end up peddling hope.
"It was his idea,” said the Incantatrix, "to give them a Messiah. Now they've got a righteous crusade, as Hobart calls it. They're going to claim their promised land. And destroy it in the process.”
"They won't fall for this.”
"They already have, sister. Holy wars are easier to start than rumors among your Kind or mine. They believe every sacred word he tells them, as though their lives depended upon it. Which in a sense they do. They've been conspired against and cheated-and they're ready to tear the Fugue apart to get their hands on those responsible. Isn't that perfect? The Fugue'll die at the very hands of those who've come to save it.”
"And that's what Shadwell wants?
Clive Barker
