Glazed Quotes
Lola's was not exactly a bar. It was a small beer-and-soda joint. There was a Coca-Cola box full of beer and soda and ice at the left of the door as you came in. A counter with tube-metal stools covered in yellow glazed leather ran down one side of the room as far as the jukebox. Tables were lined along the wall opposite the counter. The stools had long since lost the rubber caps for the legs and made horrible screeching noises when the maid pushed them around to sweep. There was a kitchen in back, where a slovenly cook fried everything in rancid fat. There was neither a past nor future in Lola's. The place was a waiting room, where certain people checked in a certain times.
William S. Burroughs
As it turns out, Mailer comes close to solving the mystery [of Lee Harvey Oswald], but he never establishes the tragedy. Dreiser's tale was tragic and American because it happened every day. Oswald made only one notch in the calendar. It was meaningless; he just renamed an airport, violently.
...Oswald's life was not a cry of pain so much as a squawk for attention. He achieved geopolitical significance by the shortest possible route. He was not an example of post-modern absurdity but one of its messiahs: an inspiration to the glazed loner. He killed Kennedy not to impress Jodie Foster. He killed Kennedy to impress Clio - the muse of history.
Martin Amis
Earlier generations went to see what was forbidden in life and developed a real excitement about the movies. Today's rating system keeps kids out of the good ones. I wouldn't want them to see movies like Natural Born Killers, but my tendency is you're better off seeing things than not. That glazed indifference kids develop can be worse than over-excitement.
Pauline Kael
Painting is laying layer upon layer. Without exception it is fundamental to all painted pictures even if they look as if they were done in one movement. The movement has always crossed its own track somewhere. It is easy to understand that a picture is layer upon layer when it comes to Picabia's puzzle pictures or my own material works, but it is difficult with the 'synchronos'. By the 'synchronous' I mean all those pictures where all the layers aim at the same picture, where the under-painting and following layers – glazed or not – fall on top of each other. The 'unsynchronous' are the ones where each new layer is a new picture. It is like geological strata with cracks and discordances. But each new layer, however furious, is always infected and coloured by the underlying one. Even when it is slates where the previous payer is completely removed physically, wiped off.
Per Kirkeby
Side by side with the production of metals, the Egyptians and the inhabitants of Mesopotamia perfected the arts of making glazed pottery... and the production of glass. ...vessels were baked in tall closed furnaces. "Egyptian blue" was made in Egypt by heating silica with malachite and lime... applied with soda as a blue glaze on faience, and the blue glass is also colored with copper. Some early... Egyptian and Babylonian blue glass are coloured with cobalt.
J. R. Partington
Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing.
Maxfield Parrish
A beautiful city is Richmond, seated on the hills that overlook the James River. The dwellings have a pleasant appearance, often standing by themselves in the midst of gardens. In front of several, I saw large magnolias, their dark, glazed leaves glittering in the March sunshine.
William Cullen Bryant
About one-fifth of all the heat that enters the average house comes through windows. ...external shading is by far the most efficient method for controlling interior heat build-up. The air-wash between the shading screen and the window is also very effective. The screen should have a light-colored finish... Insulation boards placed next to the window pane at night, will help prevent heat losses through glazed openings. Overhangs and horizontal sunshades placed above south-facing windows serve effectively as heat reducers.
Ken Kern
I disagree with those who assert that Titian and El Greco painted on a tempera underpainting. ...In contrast to Titian, El Greco very frequently employed glazings ...In El Greco we find a curious combination of tempera school ideas associated with a freedom of the brush stroke surpassing that of his master, Titian. Like the tempera painters, El Greco often underpainted in grisaille and glazed upon such a monotone underpainting the fiery hues of madder lake, verdigris, azurite blue and yellow (probably Indian yellow). This... largely accounts for the brilliance and extraordinary luminosity... But El Greco's grisaille... was brushed on roughly and the texture of the superimposed color often does not correspond with that of the grisaille. This... is an entirely unorthodox method. Entirely unconventional also was his use of the madder, which, at times, he applied with an extreme impasto defying the nature of this glazing color.
El Greco
