Perpendicular Quotes
The simultaneousness of states of mind in the work of art: that is the intoxicating aim of our art... In the pictorial description of the various states of mind of a leave-taking, perpendicular lines, undulating lines and as it were worn out, clinging here and there to silhouettes of empty bodies, may well express languidness and discouragement. Confused and trepidating lines, either straight or curved, mingled with the outlined hurried gestures of people calling to one another will express a sensation of chaotic excitement. On the other hand, horizontal lines, fleeting, rapid and jerky, brutally cutting in half lost profiles of faces or crumbling and rebounding fragments of landscape, will give the tumultuous feelings of the person going away.
Umberto Boccioni
He talked to her endlessly about his love of horizontals: how they, the great levels of sky and land in Lincolnshire, meant to him the eternality of the will, just as the bowed Norman arches of the church, repeating themselves, meant the dogged leaping forward of the persistent human soul, on and on, nobody knows where; in contradiction to the perpendicular lines and to the Gothic arch, which, he said, leapt up at heaven and touched the ecstasy and lost itself in the divine.
D. H. Lawrence
Allow me to repeat what I said when you were here: deal with nature by means of the cylinder, the sphere and the cone, all placed in perspective, so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth, a section of nature, or if you prefer, of the spectacle spread before our eyes by the 'Pater Omnipotens Aeterne Deus'. Lines perpendicular to that horizon give depth. But for us men, nature has more depth than surface, hence the need to introduce in our vibrations of light, represented by reds and yellows, enough blue tints to give a feeling of air.
Paul Cézanne
When she got to an angle of about 60 degrees, there was a sullen sort of rumbling roar as her massive boilers all left their beds and went crashing down through the bulkheads and everything that stood in their way.Up to that moment, she had stood out as clear as clear with her rows of electric lights all burning. When the boilers broke away, she was, of course, plunged into absolute darkness though her huge black outline was still perfectly distinct up against the stars and sky.Slowly she reared up on end till, at last, she was absolutely perpendicular. Then quite quietly, but quicker and quicker, she seemed just to slide away under the surface and disappear.As she vanished, everyone around me on the upturned boat, as though they could hardly believe it, just said, "She's gone."
Charles Lightoller
Treat nature in terms of the cylinder, the sphere, and the cone, the whole put into perspective so that each side of an object, or of a plane, leads towards a central point. Lines parallel to the horizon give breadth, whether a sections of nature, or, if you prefer, of the spectacle which Pater omnipotens aeterne Deus unfolds before your eyes. Lines perpendicular to this horizon give depth... Everything I am telling you [ Joachim Gasquet ] about - the sphere, the cone, cylinder, concave shadow – on mornings when I'm tired these notions of mine get me going, they stimulate me, I soon forget them once I start using my eyes.
Paul Cézanne
The third general fact on which this theory is founded, is, that the stratified rocks, instead of being either horizontal, or nearly so, as they no doubt were originally, are now found possessing all degrees of elevation, and some of them even perpendicular to the horizon; to which we must add, that those strata which were once at the bottom of the sea are now raised up, many of them several thousand feet above its surface. ...This force, which has burst in pieces the solid pavement on which the ocean rests, and has raised up rocks from the bottom of the sea, into mountains... exceeds any which we see actually exerted, but seems to come nearer to the cause of the volcano or the earthquake than to any other, of which the effects are directly observed. The immense disturbance, therefore, of the strata, is in this theory ascribed to heat acting with an expansive power, and elevating those rocks which it had before consolidated.
James Hutton