Placement Quotes
The way the world worked, once the word was out, the effect would take on exhaustibility. There was always not merely the event itself, but opinion of the event, and rebuttal of the opinion, and the ready charge of self-interest, and the countercharge. There was the analysis of the event, and the excavation of the root causes of the event, and the placement of the event in the correct historical context. Everyone would want to kick the can, and it would clatter over the cobblestones interminably, far from the toes of those who'd first impelled it.
Algis Budrys
Seeing several of these paintings [his series paintings 'Hommage to the square', Josef Albers painted in 1963-64] next to each other makes it obvious that each painting is an instrumentation on its own.
This means that they all are of different palettes, and, therefore, so to speak, of different climates.
Choice of the colors used, as well as their order, is aimed at an interaction – influencing and changing each other forth and back.
Thus, character and feeling alter from painting to painting without any additional 'handwriting' or, so-called, texture.
Though the underlying symmetrical and quasi-concentric order of squares remains the same in all paintings – in proportion and placement – these same squares group or single themselves, connect and separate in many different ways
In consequence, they move forth and back, in and out, and grow up and down and near and far, as well as enlarged and diminished. All this to proclaim color autonomy as a means of plastic organization.
Josef Albers