Narrowing Quotes
Well sure, my sculptures are floor pieces. Each one, like any area on the surface of the earth, supports a column of air that weighs – what is it? – 14.7 pounds per square inch. So in a sense, that might represent a column. It's not an idea, it's a sense of something you know, a demarked place. Somehow I think I always thought of it going that way, rather than an idea of a narrowing triangle going to the center of the earth... I have nothing to do with Conceptual art [in contrast to his Physical Art, as Carl Andre called his sculpture art already in 1969]]. I'm not interested in ideas. If I were interested in ideas, I'd be in a field where what we think in is ideas... I don't really know what an idea is. One thing for me is that if I can frame something in language, I would never make art out of it. I make art out of things which cannot be framed in any other way. [quote from a talk with the audience, December 1969].
Carl Andre
Bare Attention first allows things to speak for themselves, without interruption by final verdicts pronounced too hastily. Bare Attention gives them a chance to finish their speaking, and one will thus get to learn that, in fact, they have much to say about themselves, which formerly was mostly ignored by rashness or was drowned in the inner and outer noise in which ordinary man normally lives. Because Bare Attention sees things without the narrowing and leveling effect of habitual judgments, it sees them ever anew, as it for the first time; therefore it will happen with progressive frequency that things will have something new and worthwhile to reveal. Patient pausing in such an attitude of Bare Attention will open wide horizons to one's understanding, denied to the strained efforts of an impatient intellect. Owing to a rash or habitual limiting, labeling, misjudging, and mishandling of things, important sources of knowledge often remain closed.
Nyanaponika Thera
The vitality of the individual... depends on his success in fashioning a character resistant to the narrowing of experience, to the rigidity of response, and to the consequent constriction of possibility that surrender to a hardened version of what the self implies. "He was so extremely natural," said Santayana of William James, "that there was no way of telling what his nature was, or what came next." It is an observation that states an ideal, suitable to the ambitions of personality under democracy. The point is not to make war against habit or to make war against one self. It is to fashion a style of existence, a mode of the self, in which we lower our defenses enough to strengthen our readiness for the new, our attachment to life, and our love of the world.
Roberto Mangabeira Unger
"The Polarity Principle:" The more government, the more violence. By ‘more government' is meant more centralization of government power, more intervention in personal, social, and economic affairs and activities, more limits on political criticism and competition, and more narrowing of electoral choices. In other words, by ‘more government' is meant less freedom, less civil liberties, political rights, and economic freedom.
Rudolph Rummel
In human history it seems that the idea of using a pictograph in the new function of representing sound may have occurred only three times: once in Mesopotamia, perhaps by the Sumerians, once in China, apparently by the Chinese themselves, and once in Central America, by the Mayas. (Conceivably it was invented only once, but there is no evidence that the Chinese or the Mayas acquired the idea from elsewhere.) The idea that was independently conceived by these three peoples was taken over, as were at times even the symbols themselves, though often in a highly modified form, by others who made adaptations to fit a host of totally different languages. One of the major adaptations, generally attributed to the Greeks, was the narrowing of sound representation from syllabic representation to phonemic representation (Gelb 1963; Trager 1974), after an earlier stage of mixed pictographic and syllabic writing (Chadwick 1967).
John DeFrancis