Categorical Quotes
The Apollonian and Dionysian, two great western principles, govern sexual personae in life and art. My theory is this: Dionysus is identification, Apollo objectification. Dionysus is the empathic, the sympathetic, emotion transporting us into other people, other palaces, other times. Apollo is the hard, cold separation of western personality and categorical thought. Dionysus is energy, ecstasy, hysteria, promiscuity, emotionalism -- heedless indiscriminateness of idea or practice. Apollo is obsessiveness, voyeurism, idolatry, fascism -- frigidity and aggression of the eye, petrification of objects. ... The quarrel between Apollo and Dionysus is the quarrel between the higher cortex and the older limbic and reptilian brains.
Camille Paglia
Greatness loves itself, and all healthy instincts decline to flagellate themselves daily with the whip of altruism. What is great must will to do more than its mere duty; it must give, make others happy, and, be it at the cost of itself, its own wellbeing, its own money or life, it must will to pour forth its blessing over others, to the extent even of self-sacrifice-but not, as Christianity demands, from unegoistic motives; the impulse must come from a sense of pleasure, from overflowing energy, from need of bloodletting, so as to unburden the full heart. All acts then derived from conscience and duty, or done with a wry countenance out of obedience to the Categorical Imperative, seem to the great man, from his point of view, through this very fact contemptible, even as he has an unsurmountable prejudice against men and nations who are always prating of those words, conscience and duty.
Oscar Levy
No, I don't think it's correct to define my writing as fables. There are themes, yes, but I'm not trying to offer some categorical cure-it-all to the problematic situation of Man. I'm neither theologian nor a politician. My concern in my first novel, The Zoo, was loss of inner life. After long years of writer's block, the novel just exploded out of me. Thirty days. All too quickly to really do it justice. With my second novel, The Nihilesthete, I was taken by the spiritual diminishment and the all-pervasive powerlessness that I felt was taking over our culture which in turn prevented and inverted my lead character's full expression. Such is the motive-force behind almost banal, cerebralized cruelties he harbours upon his arch-enemy, the artist, Brodski.
Richard Kalich