Vividness Quotes
No skill, no special aptitude, no vividness of imagination or precision of thinking would go unrecognized because the child who possessed it was of one sex rather than the other. No child would be relentlessly shaped to one pattern of behavior, but instead there should be many patterns, in a world that had learned to allow to each individual the pattern which was most congenial to his gifts.
Margaret Mead
This kind of internal "telepathic" intercourse, which was to serve me in all my wanderings, was at first difficult, ineffective, and painful. But in time I came to be able to live through the experiences of my host with vividness and accuracy, while yet preserving my own individuality, my own critical intelligence, my own desires and fears. Only when the other had come to realize my presence within him could he, by a special act of volition, keep particular thoughts secret from me.
Olaf Stapledon
The measure of our rationality determines the degree of vividness with which we appreciate the needs of other life, the extent to which we become conscious of the real character of our own motives and impulses, the ability to harmonize conflicting impulses in our own life and in society, and the capacity to choose adequate means for approved ends.
Reinhold Niebuhr
When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man's passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted- as easily as his mood. Dorothea's entrance was the freshness of morning.
George Eliot
It is in the nature of a teenager to want to destroy. The destructive impulse is universal among children of all ages, rises to a peak of vividness, ingenuity and fascination in adolescence, and thereafter never entirely goes away. Violence and hatred, and the fear of our own inability to control them in ourselves, are a fundamental part of our birthright, along with altruism, creativity, tenderness, pity and love. It therefore requires an immense act of hypocrisy to stigmatize our young adults and teenagers as agents of deviance and disorder. It requires a policy of dishonesty about and blindness to our own histories, as a species, as a nation, and as individuals who were troubled as teenagers, and who will always be troubled, by the same dark impulses. It also requires that favorite tool of the hypocritical, dishonest and fearful: the suppression of constitutional rights.
Michael Chabon
The Outsider wants to cease to be an Outsider. He wants to be ‘balanced'. He would like to achieve a vividness of sense-perception (Lawrence, Van Gogh, Hemingway) He would also like to understand the human soul and its working and, be ‘possessed' by a Will topower, to more life. (Barbusse and Mitya Karamazov) He would like to escape triviality forever. Above all, he would like to know how to express himself because that is the means by which he can get to know himself and hi unknown possibilities.
Colin Wilson
Every man knows there are evils in this world which need setting right. Every man has pretty definite ideas as what these evils are. But to most men one in particular stands out vividly. To some, in fact, this stands out with such startling vividness that they lose sight of other evils, or look upon them as the natural consequence of their own particular evil-in-chief.
Henry Hazlitt
"SPAN ID=In_the_case> In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [...] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.
S. I. Hayakawa
Our ability to block our experience is an evolutionary dead end. Rather than experiencing and transforming pain, conflict, and fear, we often divert or dampen them with a kind of unwitting hypnosis. Over a lifetime, more and more stress accumulates. There is no release, and our consciousness narrows. The floodlight shrinks into the slender beam of a flashlight. We lose the vividness of colors, sensitivity to sounds, peripheral vision, sensitivity to others, emotional intensity. The spectrum of awareness becomes ever narrower.
Marilyn Ferguson
I myself represent the style of a Bach who was a human being with all his heights and depths, who knew life very well. My Bach is the experience of my playing the whole literature; and filling the different voices with their own life, vitality, vividness; it's the independent speaking-until-singing of the different voices; and lastly it's a balance between pianistic virtuosity and something chamber-music-like.
Burkard Schliessmann
As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It's a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it "harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands ...
Burkard Schliessmann
