Manet Quotes
If you read some of the Parisian newspapers, among others the 'Figaro', so beloved of the right-thinking public, you must have learned that I am part of a group of artists who opened a private exhibition [in the art-gallery of Durand-Ruel in Paris, April 1876]. You must also have seen what favour this exhibition enjoys in the eyes of these gentlemen [Berthe refers to the critical articles in Paris with all their mockery about her works]. On the other hand, we have been praised in the radical newspaper, but you don't read those [her aunts]! Well, at least we are getting attention, and we have enough self-esteem not to care. My brother-in-law Edouard Manet is not with us [Manet didn't participate in this first Impressionist show, initiated by Degas ]. Speaking of success, he [Manet] has just been rejected by the Salon; he, too, is perfectly good-humored about his failure.
Berthe Morisot
The stories of the Manet brothers [ Edouard and her future husband Eugène Manet ] tell about all the horrors we are likely to face, they [in Paris, during the war between France and Germany] are almost enough to discourage even the bravest of us. [But] you know they [the Manet brothers] always exaggerate, and at the moment they see everything in the blackest possible light.
Berthe Morisot
These last days [of Manet, dying] were very painful. Poor Edouard suffered atrociously. His agony was horrible, death in one of its most appealing forms, that I once again witnessed at a very close range. If you add to these almost physical emotions my old bond of friendship with Edouard, a entire past of youth and work suddenly ending, you will know that I am devastated.
Berthe Morisot
He [ Manet ] begged me to go straight up and see his painting [ 'Le Balcon'] - Berthe was model for this painting], as he was rooted to the spot. I've never seen anyone in such a state, one minute he was laughing, the next insisting his picture was dreadful; in the next breath, sure it would be a huge success.
Berthe Morisot
I think that it will be a great success, that all this painting [of Edouard Manet, shortly after his death], so fresh, so vital, will electrify the 'Palais des Beaux Arts' [in Paris], which is accustomed to dead art. It will be the revenge for so many rebuffs, but a revenge that the poor boy only in his grave.
Berthe Morisot
My dearest little Julie, I love you as I lie dying; I shall still love you when I am dead. I beg of you, do not cry; this parting was inevitable. I would have liked to be with you until you married – Work hard and be good as you have always been; you have never caused me a moment's sorrow in you little life [Julie is 16, then]. You have beauty, good fortune; use them well. I think the best thing would be to live with your cousins in the Rue de Villejust, but I do not wish to force you to do anything. Give a memento of me to you aunt Edma [Berthe's sister], and to your cousins too; and give Monet's [painting] 'Bateaux en reparation' to your cousin Gabriel. Tell M. Degas that if he found a museum he is to choose a Manet [of her Manet paintings]. A keepsake for Monet; one for Renoir, and one of my drawings for Bartolomé. Give something to the two concierges. Do not cry, I love you more than I can tell you.
Berthe Morisot
Yesterday I had a violent run-in with M. Eugene Manet on the subject of Seurat and Paul Signac. The latter was present, as was Guillaumin. You may be sure I rated Manet roundly. - Which will not please Renoir. - But anyhow, this is the point, I explained to M. Manet, who probably didn't understand anything I said, that Seurat has something new to contribute which these gentlemen, despite their talent, are unable to appreciate, that I am personally convinced of the progressive character of his art and certain that in time it will yield extraordinary results. Besides I am not concerned with the appreciation of artists, no matter whom. I do not accept the snobbish judgments of "romantic impressionists" to whose interest it is to combat new tendencies. I accept the challenge, that's all..
Camille Pissarro
.. you [Otto] know me well enough to know that I am not bad and heartless. It just happen to be a 'Sturm und Drang' period which I have to get through, and there is no way to avoid hurting the people closest to me. It hurts me to cause you all this pain and suffering. Believe me when I say it is not easy for me either. But I must fight it through, to one exit or another – It has begun to be really beautiful here... I've seen wonderful Courbet's. I am sorry that he is now the latest mode. I think he is greater than either Manet or Monet. There was a colossal still life [of Courbet] with hollyhocks, in every conceivable colour, with a female figure in it. It was magnificently painted... Stay close to Elsbeth and to your art..
Paula Modersohn-Becker
It was not until 1869 that I met him Manet again, but this time, we became friends immediately. From the first meeting, he invited me to join him every evening in a café of the 'Batignolles' where he and his friends would gather to talk at the end of a day spent at their studios. I would meet there, Fantin-Latour and Cézanne, Degas - who arrived shortly afterwards from Italy, the art critic Duranty, Emile Zola who was just starting-off in the literary world and a number of others. I would take Sisley, Bazille and Renoir. There was nothing more interesting than these discussions with their perpetual differences of opinion. Our mind and souls were stimulated.. .One would always leave, all the better immersed, the will stronger, our thinking more defined and clear.
Claude Monet
Let's not eliminate nature. Too bad if we fail. You see, in his 'Dejeuner sur l'herbe', Manet ought to have added - I don't know what - a touch of this nobility, whatever it is in this picture that conveys heaven to our every sense. Look at the golden flow of the tall woman, the other one's back... They are alive and they are divine.
Paul Cézanne
Ah! Women... I met one yesterday on the Pont de l'Europe [in Paris, circa 1881 - Manet was walking through the city frequently with his friend Antonin Proust, but then already more or less cripple because of his syphilis]. She was walking the way only a Parisienne knows how to walk, but with an extra something, even more assured. I'll remember that. There are some things that will always be engraved on my mind.
Édouard Manet
We also consider that Miss Berthe Morisot's [woman painter in French Impressionism who got later married with a brother of Eduard Manet] name and talent are too important to us to do without. [Degas is referring to her participation in the first Impressionist's show he was preparing, then; he was in strong opposition to Eduard Manet who wanted to exclude Berthe Morisot)
Edgar Degas
An artist is a deception.. ..an artist is only an artist at certain times, by an effort of will.. ..the study of nature is a cliché; isn't Manet the living proof? For although he prided himself on slavishly copying nature, he was the most inadequate painter in the world, not making a single brushstroke without reference to the old masters; for instance, he refrained from drawing fingernails because Frans Hals did not draw them.
Edgar Degas
![I put it [a still life of a pear, made by Manet there [on the wall, next to Ingres' painting 'Jupiter'], for a pear like that would overthrow any god. (Edgar Degas)](https://cdn.quotesdtb.com/img/quotes_images_webp/54/edgar-degas-jupiter-life-473554.webp)
I mean that the things I felt and that I enjoyed about certain painters of the past that I liked, that inspired me, like Cézanne and Manet, that thing I enjoyed in their work, that complete losing of oneself in the work to such an extent that the work itself, even though it was a picture of a woman in front of a mirror or some dead fish on the table, the pictures of those men were no pictures to me. They felt as if a living organism was posited there on the canvas, on this surface. That's truly to me the act of creation.
Phillip Guston
These principles [in art], forgotten over time, were rediscovered by a few geniuses such as Rembrandt, Vélazquez, Délacroix, Corot and Manet. These principles can be deduced from innate principles within us, ideas of harmony, common to all unspoiled men.... these are the laws of harmony and color.
Paul Sérusier
What relation has a 'doe' to our picture of the world? Does it make any logical, or even artistic, sense, to paint the doe as it appears to our perspective vision, or in a cubistic form because we feel the world cubistically? It feels it as a doe, and its landscape must also be 'doe'... I can paint a picture: the roe; Pisanello has painted such. I can, however, also wish to paint a picture: 'the roe feels'. How infinitely sharper an intellect must the painter have, in order to paint this! The Egyptians have done it. The rose; Manet has painted that. Who has painted the flowering rose? The Indians..
Franz Marc
