Naples Quotes - page 2
I studied a good deal in the museum at Naples; the Pompeian paintings are extremely interesting from every aspect. So I am staying in the sun – not to paint portraits but while I am warming myself and looking hard at things I hope I will have acquired some of the grandeur and simplicity of the old masters. Raphael didn't work out-of-doors, but he studied the sunlight all the same – his frescoes are full of it. So, by looking around outside, I have finished by seeing only the broad harmonies, and am no longer preoccupied with the little details, which only extinguish the sunlight, instead of increasing its brilliance. I hope therefore, when I get back to Paris, to produce something which will be the outcome of all these general studies, and to give you the benefit of them.
Pierre-Auguste Renoir
Traveling is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, unrelenting, identical, that I fled from. I seek the Vatican, and the palaces. I affect to be intoxicated with sights and suggestions, but I am not intoxicated. My giant goes with me wherever I go.
Ralph Waldo Emerson
I was 25 years old and pursuing my doctorate in economics when I was allowed to spend six months of post-graduate studies in Naples, Italy. I read the Western economic textbooks and also the more general work of people like Hayek. By the time I returned to Czechoslovakia, I had an understanding of the principles of the market. In 1968, I was glad at the political liberalism of the Dubcek Prague Spring, but was very critical of the Third Way they pursued in economics.
Friedrich Hayek
What I like so much about Corot is that he can say everything with a bit of tree; and it was Corot himself that I found in the museum of Naples [in 1882] – in the simplicity of the work of Pompeii and the Egyptians. These priestesses in their silver-grey tunics are just like Corot's nymphs.
Jean-Baptiste-Camille Corot
[Luigi Ferrarese] is an enlightened and philanthropic physician of Naples, who has for several years been zealously pursuing the study of Phrenology, and endeavouring to promote its application to those branches of science, morals and legislation, which he perceives it so well calculated to benefit. He has met with much persecution, but he has persevered, and it is with pleasure we perceive that there is one mind at least, in Naples, imbued with the importance of his views.
Luigi Ferrarese
It pleased the emperor, my lord and grandfather, to emancipate me and free me from his ward and guardianship, placing in our hands the governance of our lands and lordships in the Netherlands... our affairs shall in future be transacted in our name... the titles that we intend to use from now on... by the grace of God, prince of Spain, of Sicily and Naples, of Jerusalem and others, archduke of Austria, duke of Burgundy, Lorraine, Brabant, Styria, Carinthia, Carniola, Limburg, Luxembourg and Gelderland... count of Flanders, Habsburg, Tyrol, Artois, Burgundy and Hainaut, landgrave of Alsace, prince of Swabia, margrave of Burgau, Holland, Seeland, Ferrette, Kyburg, Namur and Zutphen, lord of Frisia, Sclavonia, Pordenone, Salins and Mechelen.
Charles V, Holy Roman Emperor
I studied a good deal in the museum at Naples; the Pompeian paintings are extremely interesting from every aspect. So I am staying in the sun – not to paint portraits but while I am warming myself and looking hard at things I hope I will have acquired some of the grandeur and simplicity of the old masters. Raphael didn't work out-of-doors, but he studied the sunlight all the same – his frescoes are full of it. So, by looking around outside, I have finished by seeing only the broad harmonies, and am no longer preoccupied with the little details, which only extinguish the sunlight, instead of increasing its brilliance. I hope therefore, when I get back to Paris, to produce something which will be the outcome of all these general studies, and to give you the benefit of them [in a letter written during his three-weeks-stay, working with Paul Cezanne at l'Estaque, near Marseille].
Pierre-Auguste Renoir
