Faulkner Quotes - page 2
The kindergarten essay got into that underground press we all belong to where something just sort of has a life of its own and moves around and it gets on refrigerators and in the work place and people copy it... I was a minister in the Unitarian church at the time and teaching and I was ready to stop that and do the next phase of my life. So I had quit both those jobs and I was all set up with my studio in Seattle when this other horse came riding by ... I'm not a great writer and I'll never get the Nobel Prize or a Pulitzer Prize but I've won the refrigerator door award. And you don't see Faulkner on people's refrigerator.
Robert Fulghum
Charles Faulkner tells a story about Seykota's finely honed intuition when it comes to trading: I am reminded of an experience that Ed Seykota shared with a group. He said that when he looks at a market, that everyone else thinks has exhausted its up trend, that is often when he likes to get in. When I asked him how he made this determination, he said he just puts the chart on the other side of the room and if it looked like it was going up, then he would buy it... Of course this trade was seen through the eyes of someone with deep insight into the market behavior.
Ed Seykota
Now turning to Writers in general. The urge to write is analysed as 50% Ambition, 45% Vanity and 5% something to say. This is rather drastic and later revised by a famous Author as 80% earning a living, 10% Vanity and 10% something to say. Though both may not be acceptable to all, yet using them as norms, one can classify to some extent the written effusions one reads. William Faulkner says he writes what people will believe and for that they will pay, as even a Writer has to make money.
Peter de Noronha
Every year I started Ulysses, but I could not get beyond the first chapter - "stately, plump Buck Mulligan" - page 47, I think it was. Then one day, long after, in a different apartment, with a different man (which?), I found myself on page 48 and never looked back. This happened with many of us: Ulysses gradually - but with an effect of suddenness - became accessible. It was because in the interim we had been reading diluted Joyce in writers like Faulkner and so had got used to his ways, at second remove.
Mary McCarthy
I was thinking, earlier, how there's this stigma attached to "writing for money" and how odd that is, as though writing is akin to sex (another "creative" act?) and writing for money is akin to prostitution in the minds of so many people. Whoring with adjectives, so to speak. Do I give good prose? Look up the definition of "hack." So, there must be the perception that writing, like the priesthood, comes with some higher purpose in tow. Getting paid well somehow sullies the purer cause. I've heard writers dismiss something or another that they've written by explaining, "Oh, yes, I know that sucked, but I only wrote it because they paid me so much money." And then we might even forgive them a piece of crap, because we have a sensible explanation. That wasn't a real orgasm. I was only faking the plot. Dorothy Parker and F. Scott Fitzgerald and William Faulkner in Hollywood.
Caitlín R. Kiernan
You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. Compassion is all to the good, but vindictiveness is the verity Faulkner forgot: the organic force in every creative effort, from the poetry of Villon to the Brinks Express Robbery, that gives shape and color to all our dreams. [...] A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery. The strong-armer isn't out merely to turn a fast buck any more than the poet is out solely to see his name on the cover of a book, whatever satisfaction that event may afford him. What both need most deeply is to get even. And, of course, neither will.
Nelson Algren
