Deviate Quotes
You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death-that is drawn on another part of the soul entirely...But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.
Samuel R. Delany
From the beginning while we were engaged in these issues, I said in interviews with those who came from abroad, even in Najaf or Paris or among my personal words, I have always said that clerics have an occupation which is more important than these executive jobs, and should Islam become victorious, clerics would dedicate themselves to their own occupation. But as we went on with the revolution, we found out that if we tell all clerics to go after their mosques, this country would fall into the throat of America and Soviet Union. We experienced and saw, those who took the lead but were not clerics, even though some of them were religious people, our revolutionary path was not according to their taste, therefore... we temporarily deviate from our original word until this country could be administered by those other than clerics, then clerics will go back to their preach and their own position and they will leave executive matters to others who work for Islam.
Ruhollah Khomeini
In particular, this question, to the sculptor:
If a drawing is traced, even with the greatest precision, from another drawing, you will perceive that the one is a copy. Although the differences may deviate less than half a hair, recognizable only by perceptual sensitivity, unanimously we rule the work of the intruder's hand as non-art.
But where is the line of true art-when the sculptor's process often introduces the hands of a plaster caster, the mold maker, the grinder and the polisher, and the patina applier, all these processes and foreign hands intruding deviations upon what was once the original work?
David Smith