Monsieur Quotes - page 2
Things are not going well for me. My chef at the Charité strongly disapproves of women students and took this means of showing it. About a hundred men (no women except myself) went round the wards today, and when we were all assembled before him to have our names written down, he called and named all the students except me, and then closed the book. I stood forward upon this, and said quietly, "Et moi aussi, monsieur." [And me, Sir. ] He turned on me sharply, and cried, "Vous, vous n'êtes ni homme ni femme; je ne veux pas inscrire vôtre nom."
Anna Kingsford
There is a scale in the meaning of the word socialist. In France it means about the same thing as a communist, when one uses plain language. When one uses the language of Monsieur Drumont, it means a Jew. In England a socialist is equal to a French conservative republican. In America it means a thief. In Germany it means an ingenious individual of restricted financial resources, who generally fails to blow up some important personage with wet dynamite. In Italy a socialist is an anarchist pure and simple, who wishes to destroy everything existing for the sake of dividing a wealth which does not exist at all. It also means a young man who orders a glass of water and a toothpick at a cafe, and is able to talk politics for a considerable time on this slender nourishment.
Francis Marion Crawford
Twenty-six years ago knew and noted in writing what was unknown to any of those who had written on the subject in any language, in the seven centuries which have elapsed since the eclipse of this so-called heresy. All writers who mentioned the subject insisted that the robes of Cathar priests were inevitably black. For twenty-six years, including her six years of correspondence with me, she stubbornly maintained that they were dark blue. She was proved correct by Jean Duvernoy of Toulouse but only in the last four years. In editing the register of the Inquisition of Jacques Fournier, Monsieur Duvernoy revealed that Cathar priests wore sometimes dark blue or dark green. This book was published in 1965. She expressed it in writing more than a year before publication of Duvornoy's book.
Arthur Guirdham
There have always been two schools of thought in painting: that of the Idealists and that of the Realists.. .Monsieur Courbet belongs to the second school, but he differs from it in that he seems to have taken an ideal opposite to the usual ideal: whereas the straightforward Realists are happy to copy nature as they see it, our young painter, parodying for his own benefit the verses of Nicolas Boileau Despréaux, seems to be saying: 'Only the ugly is beautiful, only the ugly is likeable.' It is not enough for the people to be common; he selects his subjects and then deliberately exaggerates their crudeness and vulgarity.
Gustave Courbet
The impressionist paintings of Manet, Cezanne and Monsieur Degas, express with exemplary sincerity the new sensations, the new world our eyes experience. Now here the successors to these artists [Seurat & Pissarro ] are trying to perfect the forms created by them. They found in the notes of Delacroix, in the scientific discoveries of Chevreul and Rood, the suggestion for a type of painting in which color impressions are ordered by the combining of little multi-colored brush strokes. But while they were attentive to such improvement of the means, they forgot the true end of art, the sincere and complete expression of vivid sensations. The works of these painters - Pissarro and Seurat are the most notorious - are interesting only as the exercises of highly mannered virtuosos. Their paintings are lifeless for the painters did not strive for sincerity, being too taken up with external formulas.
Georges Seurat
If I dared, I should say that your [ Camille Pissarro ] letter is imprinted with sadness. The picture business isn't going well; I fear that your morale may be colored a little grey, but I'm sure that it's only a passing phase.. .I imagine that you would be delighted with the country where I am now.. ..in L'Estaque, by the sea. I haven't been in Aix for a month. I've started two little motifs of the sea, for Monsieur [Victor] Chocquet [one of them became his later painting 'The Sea at L'Estaque', who had talked to me about it. It's like a playing card. Red roofs against the blue sea. If the weather turns favorable perhaps I'll be able to finish them off.
Paul Cézanne
[Manet's reply:] They're not dancing, they'e skating; but you're right, they do move and when people are moving, I can't freeze them on the canvas. As a matter of fact, sir, I have been told the outlines of 'Olympia' are too well defined, so that makes up for it.
Sir Frederick Leighton criticized: It's very good, Monsieur Manet, but don't you think that the outlines [of Manet's painting 'Le Skating' ] are not well enough defined and that the figures dance too much?
Édouard Manet
Very few people ever had the opportunity to see Cézanne at work, because he could not endure being watched while at the easel. For one who has seen him paint, it is difficult to imagine how slow and painful his progress was on certain days. In my portrait there are two little spots of canvas on the hand which are not covered. I called Cézanne's attention to them. "If the copy I'm making in the Louvre turns out well," he replied, "perhaps I will be able tomorrow to find the exact tone to cover up those spots. Don't you see, Monsieur Vollard, that if I put something there by guesswork, I might have to paint the whole canvas over starting from that point?" The prospect made me tremble.
During the period that Cézanne was working on my portrait, he was also occupied with a large composition of nudes, begun about 1895, on which he labored almost to the end of his life.
Paul Cézanne
