Configuration Quotes
She had said she was afraid of Perry, and she was, but was it simply Perry she feared, or was it a configuration of which he was part [...]? The eldest, the brother she loved, had shot himself; Fern had fallen out of a window, or jumped; and Perry was committed to violence, a criminal.
Truman Capote
![It is a special kind of secret how these Asiatic elements [of American Indians] came over the Bering Strait long ago. It's the same with the coyote. When I worked with the coyote [this quote refers to the performance by Beuys when he was locked up together with a coyote in a cage for a few days in René Block Gallery, New York City in 1974], I had the idea that it was not an indigenous animal. It came as a wolf with the Indians over the Bering Strait. And this Asiatic wolf, or step wolf, changed his whole biological configuration and behavior. Then it was my idea to import the coyote once more back to Europe, and you could see it [the coyote] change back to the European wolf or Siberian wolf. It is a transformed European wolf, the coyote, how it came to the character of a brush wolf. (Joseph Beuys)](https://cdn.quotesdtb.com/img/quotes_images_webp/59/joseph-beuys-american-animal-443659.webp)
Feeling must have a medium in order to function at all; in the same way, thought must have symbols. It is the medium, or the specific configuration of the medium that we call a work of art that brings feeling into being, just as do responses tot the objects of the external world... The medium of painting is such changing and ordering on an ideal plane, ideal in that the medium is more tractable, subtle, and capable of emphasis (abstraction is a kind of emphasis) than everyday life.
Mark Rothko
Feeling must have a medium in order to function at all; in the same way, thought must have symbols. It is the medium, or the specific configuration of the medium that we call a work of art that brings feeling into being, just as do responses tot the objects of the external world... The medium of painting is such changing and ordering on an ideal plane, ideal in that the medium is more tractable, subtle, and capable of emphasis (abstraction is a kind of emphasis) than everyday life.
Robert Motherwell
The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get 'em up dancin.' It's not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience's mind with their pieties and their sense of "community," i. e., ram it home that you're one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.
Lester Bangs
A schema is a configuration within the brain, either inborn or learned, against which the input of the nerve cells is compared. ...the conscious mind ...can fill in details that are missing from the actual sensory input and create a pattern in the mind which is not necessarily present in reality. In this way, the gestalt of objects-the impression...-is aided by the taxonomic powers of the schemata.
E. O. Wilson
The fundamental principle of the atheism of Spinoza is the doctrine of the simplicity of the universe, and the unity of that substance, in which he supposes both thought and matter to inhere. There is only one substance, says he, in the world; and that substance is perfectly simple and indivisible, and exists every where, without any local presence. Whatever we discover externally by sensation; whatever we feel internally by reflection; all these are nothing but modifications of that one, simple, and necessarily existent being, and are not possest of any separate or distinct existence. Every passion of the soul; every configuration of matter, however different and various, inhere in the same substance, and preserve in themselves their characters of distinction, without communicating them to that subject, in which they inhere.
Baruch Spinoza
There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.
Frank Stella
The form of a coast, the configuration of the interior of a country, the existence and extent of lakes, valleys, and mountains, can often be traced to the former prevalence of earthquakes and volcanoes in regions which have long been undisturbed. To these remote convulsions the present fertility of some districts the sterile character of others, the elevation of land above the sea, the climate, and various peculiarities, may be distinctly referred.
Charles Lyell
Dolphins read each other's emotions by sonar and it's the inside of the body, the configuration of the viscera, that lets dolphins know whether the dolphin they are meeting is tense or happy. Their emotions are much more connected with the insides of each other's bodies. We don't have that. It's like denying 90% of what we are physically, not knowing it.
David Cronenberg
![[Register] is set of meanings, the configuration of semantic patterns, that are typically drawn upon under the specified conditions, along with the words and structures that are used in the realization of these meanings. (Michael Halliday)](https://cdn.quotesdtb.com/img/quotes_images_webp/33/michael-halliday-configuration-draw-289633.webp)
We live in a predominately Christian culture which has lost its living connection to the symbolism of wafer and wine. Lacking spiritual sustenance there is a genuine hunger and thirst. The archetypal structure behind the wafer and wine is slowly giving way to a new configuration, but we are in chaos during the transition. That chaos breeds loneliness, fear and alienation. While that sense of aloneness is hard to endure, it can be of supreme value in the analytic process. The new life always comes out of the dispossessed, as Christ came from the cow stable.
Marion Woodman
Another thing that they have tried to get us to believe in the last 150 years... is that the nation as the repository of sovereignty can be both a state and a community. ...Why did the English, the French, the Castilians, the Hohenzollerns, and others become the repository of sovereignty as nations... They did so because... weapons made it possible to compel obedience over areas which were approximately the size of these national groups... nationalism is an episode in history, and it fit a certain power structure and a certain configuration in human life in our civilization. Now... They all want autonomy. ...The nation or the state, as we now have it as the structure of power, cannot be a community.
Carroll Quigley
