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Groan Quotes - page 2 - Quotesdtb.com
Groan Quotes - page 2
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs.
John Keats
Come to the bridal chamber, Death!
Come to the mother's, when she feels
For the first time her first-born's breath!
Come when the blessed seals
That close the pestilence are broke,
And crowded cities wail its stroke!
Come in consumption's ghastly form,
The earthquake shock, the ocean storm!
Come when the heart beats high and warm,
With banquet song, and dance, and wine!
And thou art terrible!-the tear,
The groan, the knell, the pall, the bier,
And all we know or dream or fear
Of agony are thine. But to the hero, when his sword
Has won the battle for the free,
Thy voice sounds like a prophet's word;
And in its hollow tones are heard
The thanks of millions yet to be.
Fitz-Greene Halleck
In Prison Wearily, drearily, Half the day long, Flap the great banners High over the stone Strangely and eerily Sounds the wind's song, Bending the banner-poles. While, all alone, Watching the loophole's spark, Lie I, with life all dark, Feet tethered, hands fettered Fast to the stone, The grim walls, square lettered With prisoned men's groan. Still strain the banner-poles Through the wind's song, Westward the banner rolls Over my wrong.
William Morris
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt