Michelangelo Quotes - page 2
He [ Michelangelo ] did not know a single one of the feelings of man, not one of his passions. When he was making an arm or a leg, it seems as if he were thinking only of that arm or leg and was not giving the slightest consideration to the way it relates with the action of the figure to which it belongs, much less to the action of the picture as a whole... Therein lies his great merit; he brings a sense of the grand and the terrible into even an isolated limb.
Eugène Delacroix
It remains true that Michelangelo's intensely personal use of the nude greatly altered its character. He changed it from a means of embodying ideas to a means of expressing emotions; he transformed it from the world of living to the world of becoming. And he projected his world of the imagination with such unequaled artistic power that its shadow fell on every male nude in art for three hundred and fifty years. Painters either imitated his heroic poses and proportions or they reacted against them self-consciously and sought a new repertoire of attitudes in the art of fifth-century Greece. In the nineteenth century the ghost of Michelangelo was still posing the models in art schools.
Kenneth Clark
Seen by itself the David's body might be some unusually taut and vivid work of antiquity; it is only when we come to the head that we are aware of a spiritual force that the ancient world never knew. I suppose that this quality, which I may call heroic, is not a part of most people's idea of civilisation. It involves a contempt for convenience and a sacrifice of all those pleasures that contribute to what we call civilised life. It is the enemy of happiness. And yet we recognise that to despise material obstacles, and even to defy the blind forces of fate, is man's supreme achievement; and since, in the end, civilisation depends on man's extending his powers of mind and spirit to the utmost, we must reckon the emergence of Michelangelo as one of the great events in the history of western man.
Kenneth Clark
Goethe as an old man: he was so very punctual. At that time he also wrote many things that were very punctual. The rounded thing is boring. Turn it as you may, it remains round and pretty.
I love the edges, the sharp lines, and fractures.
I show to him a picture of Dostoevsky. How ruptured, furrowed, tormented!
He looks like Michelangelo; the face of an endurer and a prophet.
Joseph Goebbels
The beginning of the sixteenth century, the Cinquecento, is the most famous period of Italian art, one of the greatest periods of all time. This was the time of Leonardo da Vinci and Michelangelo, of Raphael and Titian, of Correggio and Giorgione, of Dürer and Holbein in the north, and of many other famous masters. One may well ask why it was that all these great masters were born in the same period, but such questions are more easily asked than answered. One cannot explain the existence of genius. It is better to enjoy it.
Ernst Gombrich
If a man is called to be a streetsweeper, he should sweep streets even as Michelangelo painted, or Beethoven played music, or Shakespeare wrote poetry. He should sweep streets so well that all the hosts of heaven and earth will pause to say, here lived a great streetsweeper who did his job well.
Martin Luther King Jr.
The particular does not interest me; I find meaning only in a general idea. In Michelangelo one is carried away by the idea of power, the whole single-minded concept he imposed on himself. The 'Slaves' and the 'Medici tombs' are sculpture made to be seen only from one side. For me, sculpture means the block; my figure of 'France' has more than twenty different sides. When I enlarged it only four were left, and I had to rework it..
Aristide Maillol
If we look at the parpens piled up on the building site or at the block of bronze, nothing about them manifests that they are suited to being a house or a statue. ... Aristotle speaks of the materials considered as such in terms of "the buildable" (I, 201a 16, b Bf), coining an adjective whose suffix expresses capacity (what he calls dunamis). This capacity, as we have seen, cannot be grasped after the manner of that with which perception provides us (color, hardness, etc.); it requires a gaze capable of probing more deeply, of proceeding from the real to the possible-as when Michelangelo "sees" a David in the formless block abandoned by other sculptors.
Rémi Brague
The culture-its excess-really suited me. I always liked Indian miniature painting much more than Renaissance painting. I didn't see what was so great about Rembrandt or Michelangelo. I liked paintings where there were 10,000 people in the scene and elephants and horses! I liked the carvings on Indian temples so much more than the simple architectural outlines.
Wendy Doniger
I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second.
John Lasseter
We are so much accustomed to the humanitarian outlook that we forget how little it counted in earlier ages of civilisation. Ask any decent person in England or America what he thinks matters most in human conduct: five to one his answer will be "kindness." It's not a word that would have crossed the lips of any of the earlier heroes of this series. If you had asked St. Francis what mattered in life, he would, we know, have answered "chastity, obedience and poverty"; if you had asked Dante or Michelangelo, they might have answered "disdain of baseness and injustice"; if you had asked Goethe, he would have said "to live in the whole and the beautiful."
Kenneth Clark
I don't like women. I never did. That's why I don't belong to women's lib. Most of my relatives were male. Women are the inferior sex. There's no doubt about it - women are the inferior sex, in every way. There's never been any woman genius - never. With all the opportunity in the world - all the leisure in the world, all the shelter - if women had any genius, it would've come out. It never did. There's been no woman Michelangelo, or Beethoven, or Mozart.
Taylor Caldwell
Put yourself in the position of an up-and-coming artist living in early-sixteenth-century Italy. Now imagine trying to distinguish yourself from the other artists living in your town: Michelangelo, Raphael, Leonardo, or Titian. Is it any wonder that the Italian High Renaissance lasted only 30 years?
Jerry Saltz
