Der Quotes - page 2
The sudden change [Wotruba and his wife returned to Vienna in December 1945, at the end of the war; there he started to direct a class for advanced students on the Akademie der Bildenden Künste of Vienna] has had a shock effect on me and on my work. The almost sensual excitement caused by the destruction around me wears off rather quickly. It is not my duty to give this past [of Nazism and the war-years, fh] more significance than it has already been given in literature, on the stage and in the cinema. I am concerned with the figure, with the statuary, i. e., with statics, measurement, equilibrium, and with unity.
Fritz Wotruba
Each of us [the Der Blaue Reiter (Blue Rider) artists] was interested in the work of the other members of our group, much as each of us was also interested in the health and happiness of the others. But we were still far from considering ourselves as a group or a school of art... I don't think we were ever as programmatic in out theories, as competitive or a self-assertive, as some of the modern [art] schools of Paris.
Gabriele Munter
The title [of an album with prints of Israels and poems after his pictures, made by Nicolaas Beets ] will not be I hope 'Kroost der zee' ['Offspring of the Sea']. I think this is an insufferable dissonance. Call it 'Sketches from Fisher's life - of B to J.' I think that is the best, the simplest and the most attractive name. Also the word 'to' gives me justice, otherwise people will think that I made them [his pictures] after Beets and not Beets [his poems] after me.
Jozef Israëls
It is impossible to explain the latest works of these wild men | that is, the artists of Der Blaue Reiter, and Die Brücke, [working in Munich, and Berlin] in terms of a formal evolution and a reinterpretation of Impressionism. The loveliest prismatic colors and the famous Cubist style have become meaningless in terms of the objectives of the iconoclasts. Their thinking has a different aim: with their labor, they want to create symbols for their era. symbols that belong on the altars of the coming spiritual religions behind which the technical producer will vanish.
Franz Marc
The treatises of Darboux (1842–1917) and Bianchi (1856–1928) on surface theory are among the great works in the mathematical literature. They are: G. Darboux, Théorie générale des surfaces, Tome 1 (1887), 2 (1888), 3 (1894), 4 (1896), and later editions and reprints. L. Bianchi. Lezioni di Geometria Differenziale, Pisa 1894; German translation by Lukat, Lehrbuch der Differentialgeometrie, 1899. The subject is basically local surface theory.
Shiing-Shen Chern
The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
Ken Adam
Then he asked in German (the only language that we ever spoke): "Ist die Sowjetregierung eine faschistische Regierung? - Is the Soviet Government a fascist government?"... I sat silent for some moments. Then I said: "Ja, die Sowjetregierung ist eine faschistische Regierung - the Soviet Government is a fascist government"... Krivitsky turned for the first time and looked at me directly. "Du hast recht," he said, "und Kronstadt war der Wendepunkt.
Whittaker Chambers
The advent of the new political economy marked a decisive moment in the demise of the republican strand of American politics and the rise of contemporary liberalism. According to this liberalism, government should be neutral as to conceptions of the good life, in order to respect persons as free and independent selves, capable of choosing their own ends. Keynesian fiscal policy both reflected this liberalism and deepened its hold on American public life. Although those who practiced Keynesian economics did not defend it in precisely these terms, the new political economy displayed two features of the liberalism that defines the procedural republic.
Michael J. Sandel
Quote in Rembrandt's letter to Constantijn Huygens (Amsterdam, 12 January 1639) on 3 paintings commissioned (in 1635 and started by Rembrandt already in 1635/36) by the imperial court, as cited in Painters on Painting (1963) by Eric Protter, p. 78 / Dutch original text in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 161.
Rembrandt
Function and purpose define architecture as a practical arrangement, while form defines architecture as a manifestation of apparition. The world of appariation that we cannot exist without (Max Horkheimer), is a psychological issue related to form. (Funktion und Zweck definieren Architektur als praktisches Bauwerk, die Gestalt definiert Architektur als Erscheinungsform. Die Welt der Erscheinungen, ohne die wir nicht leben können (Max Horkheimer), ist ein gestaltpsychologisches Problem.)
Justus Dahinden
Although Aristotle may have been right to claim that a desire to know is part of the fundamental constitution of human nature, ... Nietzsche is also correct to emphasize that the impulse to evaluate our surroundings, our fellows, and ourselves is at least as deeply rooted in our human nature as is any natural "desire to know.” "Der Mensch ist ein abschätzendes Tier.”.
Raymond Geuss
After a day in Berlin I was taken off to Berchtesgaden which we reached after a night in the special train, and were driven by what I assumed to be storm-troopers straight up to Hitler's chalet. Snow was on the ground and a path had been swept up to the steep steps to the house. As I looked out of the car window, on eye level, I saw in the middle of this swept path a pair of black trousered legs, finishing up in silk socks and pumps. I assumed this was a footman who had come down to help me out of the car and up the steps, and was proceeding in leisurely fashion to get myself out of the car when I heard Von Neurath or somebody throwing a hoarse whisper at my ear of ‘Der Führer, der Führer'; and it then dawned upon me that the legs were not the legs of a footman, but of Hitler.
Edward Wood
![...The Festschrift [1932] dedicated to Spinoza may be said to be a praiseworthy international achievement. Its initiators were Germans and it appeared as a Sonderausgabe of a German newspaper. Spinoza had nothing in common with the German nation. The Germans, however, were the first to manifest serious interest in him. Their first great philosopher Leibniz went to seek his advice and his counsel; they were the only ones to invite him to lecture at their university. Even though Leibniz concealed him from the world, the Germans revealed him to the world. The generation of their greatest philosophers and poets from the second half of the 18th and the first half of the 19th centuries grew up under his influence. Goethe read him together with Charlotte von Stein, and even read him together with her in Latin. To Hegel, Spinoza was "der Mittelpunkt der modernen Philosophie". (Baruch Spinoza)](https://cdn.quotesdtb.com/img/quotes_images_webp/94/baruch-spinoza-achievement-advice-1015194.webp)
You know that I do not share your opinion in this matter. That Spinozism and Atheism are to me two different things. That when I read Spinoza I can only explain him by reference to himself and that if it came to naming a book which, of all that I know, most agrees with my way of seeing things, then I would have to name the Ethics-even though by nature I do not share his way of seeing things. [Original in German: Du weißt daß ich über die Sache selbst nicht deiner Meinung bin. Daß mir Spinozismus und Atheismus zweyerlei ist. Daß ich den Spinoza wenn ich ihn lese mir nur aus sich selbst erklären kann, und daß ich, ohne seine Vorstellungsart von Natur selbst zu haben, doch wenn die Rede wäre ein Buch anzugeben, das unter allen die ich kenne, am meisten mit der meinigen übereinkommt, die Ethik nennen müsste.].
Baruch Spinoza
...They [the Jews] have had the most painful history of all peoples, not without the fault of all of us, and when one owes to them the noblest man (Christ), the purest sage (Spinoza), the most powerful book, and the most effective moral law in the world. [Original in German: Trotzdem möchte ich wissen, wie viel man bei einer Gesamtabrechnung einem Volke nachsehen muß, welches, nicht ohne unser aller Schuld, die leidvollste Geschichte unter allen Völkern gehabt hat, und dem man den edelsten Menschen (Christus), den reinsten Weisen (Spinoza), das mächtigste Buch und das wirkungsvollste Sittengesetz der Welt verdankt.].
Baruch Spinoza
It seems to me that Spinoza shares the fate of good old Saturn in the fable. The new gods pulled down the sublime one from the lofty throne of knowledge. He faded back into the solemn obscurity of the imagination; there he lives and now dwells with the other Titans in dignified exile. [Original in German: Spinosa, scheint mirs, hat ein gleiches Schicksal, wie der gute alte Saturn der Fabel. Die neuen Götter haben den Herrlichen vom hohen Thron der Wissenschaft herabgestürzt. In das heilige Dunkel der Fantasie ist er zurückgewichen, da lebt und haust er nun mit den andern Titanen in ehrwürdiger Verbannung.].
Baruch Spinoza
Also, the son of a miller [= Rembrandt] in Leiden is esteemed highly, though prematurely. Elyas Veldenus [= Esaias van der Velde ] is an elegant painter, though unimportant, now residing at the Hague. The rector Scrivelius showed me his portrait, very lifelike on a panel by the Haarlem painter Frans Hals.
Rembrandt
