Revise Quotes
He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the same theme time and time again, clarifying and enriching until they have done all they can with it. A novelist is condemned to provide a succession of novelties, new names for characters, new incidents for his plots, new scenery; but, Mr Pinfold maintained, most men harbour the germs of one or two books only; all else is professional trickery of which the most daemonic of the masters - Dickens and Balzac even - were flagrantly guilty.
Evelyn Waugh
Somewhere in the child, somewhere in the adult, there is a hard, irreducible, stubborn core of biological urgency, and biological necessity, and biological reason that culture cannot reach and that reserves the right, which sooner or later it will exercise, to judge the culture and resist and revise it.
Lionel Trilling
Religious faith is the only area of discourse where immunity through conversation is considered noble. It's the only area of our lives where someone can win points for saying, "There's nothing that you can do to change my mind and I'm taking no state of the world ultimately into account in believing what I believe. There's nothing to change about the world that would cause me to revise my beliefs."
Sam Harris
Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
Yusef Komunyakaa
We need to revise our economic thinking to give full value to our natural resources. This revised economics will stabilize both the theory and the practice of free-market capitalism. It will provide business and public policy with a powerful new tool for economic development, profitability, and the promotion of the public good.
Paul Hawken
Art has nothing to do with taste, art is not there to be 'tasted'. Yet a certain mayor believes that art exists to be 'judged', and the most modern art to be 'judged from a business point of view'. That such an original thought could emerge from a mayor's brain! What the mayor wants is exactly what the critics of the large and small dailies actually do. They set out to judge art. That is a very pleasant occupation, because no matter how wrong a judgment may be, you never have to revise it. The art judges talk about 'ability' and complain that the 'younger generation' has lost this ability. Sometimes their complaints are even seriously intended. But, gentlemen, do you really know what that is - ability? No, you don't.
Max Ernst
.. the modern artist can conclude that impulsive and speculative production has come to an end. THE ERA OF DECORATIVE TASTE HAS VANISHED, the artist of today has finished completely with the past. Scientific and technical developments oblige him to draw conclusions.... to revise his means, to establish laws creating a system, that is to say, to master his elementary means of expression in a conscious manner.
Theo van Doesburg
It is true – is it not – that even Ingres [French classical painter, famous for his line] had to revise – yes, the surface of the painting is smooth, finished and incorruptible as a diamond, but under the accomplished surface are pentimenti – see there at the shoulder, how the line of the black dress was lowered qua fraction and the hand was extended to give greater elegance... Are these not signs of the patient revision that even a genius has to make.
Arshile Gorky
First of all I want to remind you of the essential features of models. In my opinion they are: (i) drawing up a list of the variables to be considered; (ii) drawing up a list of the equations or relations the variables have to obey and (iii) testing the validity of the equations, which implies the estimation of their coefficients, if any. As a consequence of especially (iii) we may have to revise (i) and (ii) so as to arrive at a satisfactory degree of realism of the theory embodied in the model. Then, the model may be used for various purposes, that is, for the solution of various problems. The advantages of models are, on one hand, that they force us to present a "complete" theory by which I mean a theory taking into account all relevant phenomena and relations and, on the other hand, the confrontation with observation, that is, reality. Of course these remarks are far from new.
Jan Tinbergen
Because the book became a freak 'bestseller', because I found myself bracketed with the 'Angry Young Men' of the period, I found myself carried to 'fame' on a wave of publicity -- only to discover that this kind of fame is one of the subtlest forms of obscurity. Everybody knew who I was, and nobody knew what I stood for. The public image meant that nobody was interested in what I had to say, for everyone was convinced that they already knew. I could talk until I was blue in the face about my attempt to revise the pessimistic existentialism of Heidegger, Camus and Sartre; as far as most people were concerned, I was an autodidact who was angry about something or other.
Colin Wilson
I was... told by a person who had known him [future Emperor Nicholas II] intimately from his childhood, that, though courteous, his main characteristic was an absolute indifference to most persons and things about him, and that he never showed a spark of ambition of any sort. This was confirmed by what I afterward saw of him at court. He seemed to stand about listlessly, speaking in a good-natured way to this or that person when it was easier than not to do so; but on the whole, indifferent to all which went on about him. After his accession to the throne, one of the best judges in Europe, who had many opportunities to observe him closely, said to me, "He knows nothing of his empire or of his people; he never goes out of his house, if he can help it." This explains in some degree the insufficiency of his program for the Peace Conference at The Hague and for the Japanese War, which, as I revise these lines, is bringing fearful disaster and disgrace upon Russia.
Andrew Dickson White
I was born to be an editor, I always edit everything. I edit my room at least once a week. Hotels are made for me. I can change a hotel room so thoroughly that even its proprietor doesn't recognize it... I edit people's clothes, dressing them infallibly in the right lines... I change everyone's coiffure - except those that please me - and these I gaze at with such satisfaction that I become suspect, I edit people's tones of voice, their laughter, their words. I change their gestures, their photographs. I change the books I read, the music I hear... It's this incessant, unavoidable observation, this need to distinguish and impose, that has made me an editor. I can't make things. I can only revise what has been made.
Margaret Caroline Anderson
