Syllable Quotes - page 3
There is a widespread public misperception, particularly among the New Age sector, that the Chinese word for "crisis” is composed of elements that signify "danger” and "opportunity.” I first encountered this curious specimen of alleged oriental wisdom about ten years ago at an altitude of 35,000 feet sitting next to an American executive. ... While it is true that wēijī does indeed mean "crisis” and that the wēi syllable of wēijī does convey the notion of "danger,” the jī syllable of wēijī most definitely does not signify "opportunity.” ... The jī of wēijī, in fact, means something like "incipient moment; crucial point (when something begins or changes).” Thus, a wēijī is indeed a genuine crisis, a dangerous moment, a time when things start to go awry. A wēijī indicates a perilous situation when one should be especially wary.
Victor H. Mair
Om or Aum (Sk.). A mystic syllable, the most solemn of all words in India. It is "an invocation, a benediction, an affirmation and a promise and it is so sacred, as to be indeed the word at low breath of occult, primitive masonry. No one must be near when the syllable is pronounced for a purpose. This word is usually placed at the beginning of sacred Scriptures, and is prefixed to prayers. It is a compound of three letters a,u,m, which, in the popular belief, are typical of the three Vedas, also of three gods-A (Agni) V (Varuna) and M (Maruts) or Fire, Water and Air. In esoteric philosophy these are the three sacred fires, or the "triple fire”in the Universe and Man, besides many other things...
Helena Petrovna Blavatsky
I had now the key to all language, and I was eager to learn to use it. Children who hear acquire language without any particular effort; the words that fall from others' lips they catch on the wing, as it were, delightedly, while the little deaf child must trap them by a slow and often painful process. But whatever the process, the result is wonderful. Gradually from naming an object we advance step by step until we have traversed the vast distance between our first stammered syllable and the sweep of thought in a line of Shakespeare.
Helen Keller
I think my work still has a distinctive voice that is uniquely mine-and that voice is one of a person speaking Spanish in English. By that I mean that I write with the syntax and sensibility of Spanish, even when there isn't a syllable of Spanish present. It's engrained in the way I look at the world, and the way I construct sentences and stories. I was not aware of this when I wrote House, but I'm conscious of it now. What remains the same? Well, I am still as astonished by the world and as intuitive/foolish as ever, but I am aware that this is a good thing, and not ashamed of it as I was when I was young. The difference now is that I know myself. I think my writing is wiser, and, I hope, more complex.
Sandra Cisneros
I was the quietest one./The voice with almost no echo./The conscience spread in a syllable of anguish,/scattered and tender, through all the silences...I was the quietest one./The one who leapt from earth with no more weapon than a verse./And here you see me, stars,/scattered and tender, with his love in my chest!
Julia de Burgos
