Hugo Quotes
I could see the room dividing as I spoke. I could hear the laughter of some and louder still silence of others. I realised that for some people this was regarded as an event with import. The magazine, the sponsors and some of those in attendance saw it as a kind of ceremony that warranted respect. In effect, it is a corporate ritual, an alliance between a media organisation, GQ, and a commercial entity, Hugo Boss. What dawned on me as the night went on is that even in apparently frivolous conditions the establishment asserts control, and won't tolerate having that assertion challenged, even flippantly, by that most beautifully adept tool: comedy.
Russell Brand
All this will have left you disposed to understand one of our principal Futurist efforts, which consists of abolishing in literature the apparently indissoluble fusion of the two concepts of Woman and Beauty. This ideological a fusion has reduced all romance to a sort of heroic assault that a bellicose and lyrical male launches against a tower that bristles with enemies, a story which ends when the hero, now beneath starlight, carries the divine Beauty-Woman away to new heights. Novels such as Toilers of the Sea by Victor Hugo or Salammbô by Flaubert can clarify my point. It is a matter of a dominant leitmotif, already worn out, c of which we would like to disencumber literature and art in general.
Filippo Tommaso Marinetti
Carthon, one of the poems, was translated into French as early as 1762 while the collected works followed suit in 1777. Diderot loved them. Voltaire parodied them. Ossianic plays, operas, and mimes were written. They influenced or attracted Mme. de Staël, Chateaubriand, Lamartine, Alfred de Vigny, Victor Hugo, and Alfred de Musset. Napoleon became a fervent admirer after he had read the poems in the Italian translation by Cesarotti.
James Macpherson
Bill Finger and I created the Joker. Bill was the writer. Jerry Robinson came to me with a playing card of the Joker. That's the way I sum it up. [The Joker] looks like Conrad Veidt - you know, the actor in The Man Who Laughs, [the 1928 movie based on the novel] by Victor Hugo. ... Bill Finger had a book with a photograph of Conrad Veidt and showed it to me and said, 'Here's the Joker'. Jerry Robinson had absolutely nothing to do with it. But he'll always say he created it till he dies. He brought in a playing card, which we used for a couple of issues for him [the Joker] to use as his playing card".
Bob Kane
At the base of the plane, Styles freelance photographer is down on one knee, going handheld, still in the same Hawaiian shirt. The famously reclusive R. Vaughn Corliss is nowhere in view. Doug Llewellyn's wardrobe furnished by Hugo Boss. The Malina blanket for the artist's lap and thighs, however, is the last minute fix of a production oversight, retrieved from the car of an apprentice gaffer whose child is still nursing, and is not what anyone would call an appropriate color or design, and appears unbilled. There's also some eleventh hour complication involving the ground level camera and the problem of keeping the commode's special monitor out of its upward shot, since video capture of a camera's own monitor causes what is known in the industry as feedback glare - the artist in such a case would see, not his own emergent Victory, but a searing and amorphous light.
David Foster Wallace
In 1831 Victor Hugo had written that he already heard 'the full sound of revolution, still deep down in the earth, pushing out under the kingdom in Europe to its subterranean galleries from the central shaft of the mine which is Paris. 1847 the sound was loud and close. In 1848 the explosion burst.
Eric Hobsbawm
