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Singularity Quotes - page 2 - Quotesdtb.com
Singularity Quotes - page 2
In the early 20th century, cosmological physics was returned to the edge of time, and the question: what ‘came before' the Big Bang? For cosmology no less than for transcendental philosophy - or even speculative theology - this ‘before' could not be precedence (in time), but only (non-spatial) outsideness, beyond singularity. It indicated a timeless non-place cryptically adjacent to time, and even inherent to it. The carefully demystified time of natural science, calculable, measurable, and continuous, now pointed beyond itself, re-activated at the edges.
Nick Land
What we hear about eternal inflation or the string landscape, seems somehow unavoidably to lead to some kind of multiverse. However, it seems to me there is a fundamental problem there. Once of course you have the multiverse, then you can start playing around and try to find probability or getting to the anthropic principle, or whatever. But the point is that the picture is essentially a classical one, and it is difficult to see that if you have many universes, coming essentially with an inflationary state, that there would not be plenty of horizons in this. Now the quantum mechanics of horizons is, I think, perfectly not understood. The simplest example is the black hole, where after all nobody knows really if the problem lies in the singularity or if it lies really already in the horizon.
Francois Englert
As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It's a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it "harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands ...
Burkard Schliessmann