Mel Quotes - page 3
McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today-the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.
Arnold Hano
Like gladiator games and pyramid building, opera has always been a gloriously money-losing proposition. It is the most extravagant of arts, requiring the constant support of kings, dictators, plutocrats, and town councils. Box-office success is no solution. San Francisco Opera loses money at every sold-out performance. Sane business practices simply don't suffice. Composer Richard Wagner's patron, King Ludwig II of Bavaria, was the ideal operatic angel - very rich and certifiably insane. Mel Brooks' shyster producer Max Bialystock need not have mounted Springtime for Hitler to score a surefire loss. Aida would have done just fine.
Dana Gioia
In that regard the Anzac legend – as admirable as it is – has become something of a double-edged sword. Many Australians have an idealised image of the Australian soldier as a rough hewn country lad – invariably white – a larrikin who fights best with a hangover and who never salutes officers, especially the Poms. This is a pantomime caricature. Every soldier is Mel Gibson in Gallipoli and frankly it undermines our recruitment from some segments of society and breeds a dangerous complacency about how professional and sophisticated soldiering really is.
David Morrison
It's not right-wing populism that endangers Jewish survival in Europe and Canada; it's the influx of Muslims. There's nothing new in the Jewish leadership's habit of kibitzing about the dangers to Jewish continuity from marauding Mormons (their sin is to convert dead Jews). Or, from Mel Gibson, whose movie "The Passion of the Christ” was supposed to unleash pogroms in Pittsburgh, as they falsely prophesied.
Ilana Mercer
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
Artie Lange
Bush gets appointed to the presidency, and he gives Ashcroft the job of Attorney General? A religiously insane, jack-booted thug? ... The people who knew him best: The people in the state where he had been Attorney General, where he had been Governor, where he had been Senator, they knew him best. They said "No, it's time to get rid of this moron. Because he's REALLY gone over the edge!" So they voted for Mel Carnahan, who happened to be killed in a plane crash before the election - and the voters knew that! Did that make them say "Uh, I guess we can't vote for a dead man..." NO! They voted for the dead man! The voters in Missouri are saying "we'd rather have a dead man as our representative in the United States Senate, than him!" And Kathy, don't you dare play any of his records! I don't want to hear "Soar like an eagle, I'll soar like..." - don't do it! I'll walk off the program today if you play that.
Mike Malloy
McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today-the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.
John McGraw
