Immediacy Quotes - page 2
I don't want to give you the idea that existence without your camouflage patterns is bland and innocuous because this is not the case. The inner senses have a strong immediacy, a delicious intensity that your outer senses lack. There is no lapse of time in perception, since there is no time.
Robert Butts
I can hardly describe the discord produced by the comparison of the retouched part of the painting and the part left untouched, the former having lost entirely the immediacy and brio of the brushwork and the latter the mastery of sensitive and discerning touches... For it is true that the more one retouches under the pretext of restoration, the more harm one does, and even the artists themselves, were they able to return, would not able to retouch their painting perfectly on account of the necessary change in the hue of pigments over time... No painting by Titian should be relined, nor any paintings by a number of other painters.... and, even when it is possible, the operation is more likely to result in deterioration than in improvement of the painting.
Francisco Goya
A scene like Peter's denial fits into no antique genre. It is too serious for comedy, too contemporary and everyday for tragedy, politically too insignificant for history-and the form which was given it is one of such immediacy that its like does not exist in the literature of antiquity.
Erich Auerbach
The immediacy of falling in love recognizes but one immediacy that is ebenburtig (of equal standing), and this is a religious immediacy; falling in love is too virginal to recognize any confidant other than God. But the religious is a new immediacy, has reflection in between-otherwise, paganism would actually be religious and Christianity not. That the religious is a new immediacy every person easily understands who is satisfied with following the honest path of ordinary common sense. And although I imagine I have but few readers, I confess nevertheless that I do imagine my readers to be among these, since I am far from wanting to instruct the admired ones, who make systematic discoveries a la Niels Klim, who have left their good skin in order to put on the "real appearance.”.
Søren Kierkegaard
Stevens's poetry makes one understand how valuable it can be for a poet to write a great deal. Not too much of that great deal, ever, is good poetry; but out of quantity can come practice, naturalness, accustomed mastery, adaptations and elaborations and reversals of old ways, new ways, even-so that the poet can put into the poems, at the end of a lifetime, what the end of a lifetime brings him. Stevens has learned to write at will, for pleasure; his methods of writing, his ways of imagining, have made this possible for him as it is impossible for many living poets-Eliot, for instance. Anything can be looked at, felt about, meditated upon, so Stevens can write about anything; he does not demand of his poems the greatest concentration, intensity, dramatic immediacy, the shattering and inexplicable rightness the poet calls inspiration.
Randall Jarrell
The immediacy of the technology of the web allows us, as songwriters, to write something very sharp and quick. That has a lot to do with helping a songwriter be more reflective of reality, instead of being in an area where you have to process things. It's the difference between processing fish and catching it in a boat.
Chuck D
I think people are sort of waking up to it now, how probably the biggest change in Internet media isn't the immediacy of it, or the low costs, but the measurability. Which is actually terrifying if you're a traditional journalist, and used to pushing what people ought to like, or what you think they ought to like.
Nick Denton
![The Passions and the Interests does not have the policy urgency that a contribution to public decisions may enjoy (as Hirschman's The Strategy of Economic Development eminently does), nor the compulsive immediacy that the exigencies of practical reason generate (as Exit, Voice, and Loyalty superbly portrayed). What then is so special about this book? [...] The answer lies not only in the recognition that Hirschman makes us see the ideological foundations of capitalism in a fresh way, but also in the remarkable fact that this freshness is derived from ideas that are more than two-hundred-years old. The basic hypothesis- the articulation and development of which Hirschman investigates-makes the case for capitalism rest on the belief that "it would activate some benign human proclivities at the expense of some malignant ones." (Amartya Sen)](https://cdn.quotesdtb.com/img/quotes_images_webp/12/amartya-sen-answer-articulation-849112.webp)
The modern reading of ancient literature involves a mode of reception that is not merely scholarly or antiquarian. Instead, aesthetic experience allows for a direct relationship between reader and work, despite the historical distance. Today's consumer cannot participate in the ancient economy by trying to use an Athenian coin as legal tender; but today's reader can participate in the ancient literary imagination though an authentic engagement with the Homeric text (no matter how much contemporary circumstances necessarily also enter into that encounter with the ancient text). Thus the historicist imperative of periodization evidently stands at odds with the potential for immediacy associated with literary reception and aesthetic experience.
Russell Berman
So I changed from this idealistic "I can help shape the future” to all of a sudden I'm in the middle of this frame where we're literally fighting for our freedoms, for our information, for our privacy. It may be taken from us in a manner that we're just never gonna get it back. That's what's really changed between the last few times I've been interviewed and now: This is a matter of immediacy, this is a matter of danger, this is a matter of peril to our liberty.
Jay Leiderman
