Pictorial Quotes - page 2
![I mean, the official definition of Surrealism is to make a work automatically without a priori aesthetic or moral conditions, which is exactly what we do [artist in New York School / Abstract Expressionism]. At the same time Surrealism was an assault, - with a few exceptions: Giacometti, Arp and Miro - on the 'purity' of painting. I mean mean, on making painting - means themselves speak, without reliance on literature; and that second insistence of Surrealism, Americans really rejected. So that historically.... Abstract Expressionism is in part, I think, a fusion of certain Surrealist means, above all plastic 'automatism' with the Cubist's insistence that the picture speaks as a picture in strictly pictorial language. (Robert Motherwell)](https://cdn.quotesdtb.com/img/quotes_images_webp/53/robert-motherwell-above-abstract-455153.webp)
[I]f texts are unified by a central logic of argument, then their pictorial illustrations are integral to the ensemble, not pretty little trifles included only for aesthetic or commercial value. Primates are visual animals, and (particularly in science) illustration has a language and set of conventions all its own.
Stephen Jay Gould
Since one cannot create 'depth' by carving a hole in the picture, and since one should not attempt to create the illusion of depth by tonal gradation, depth as a plastic reality must be two dimensions in a formal sense as well in the sense of color. 'Depth' is not created on a flat surface as an illusion, but as a plastic reality. The nature of the picture plane makes it possible to achieve depth without destroying the two-dimensional essence of the picture plane.. A plane is a fragment in the architecture of space. When a number of planes are opposed one to another, a spatial effect results. A plane functions in the same manner as the walls of a building... Planes organized within a picture create the pictorial space of its composition... The old masters were plane-consciousness. This makes their pictures restful as well as vital...
Hans Hofmann
A line cannot control pictorial space absolutely. A line may flow freely in and out space, but cannot independently create the phenomenon of push and pull necessary to plastic creation. Push and pull are expanding and contracting forces which are activated by carriers in visual motion. Planes are the most important carriers, lines and points less so.. .the picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues as long as it receives stimulus in the creative process. Push answers with pull and pull with push. ... At the end of his life and the height of his capacity Cézanne understood color as a force of push and pull. In his pictures he created an enormous sense of volume, breathing, pulsating, expanding, contracting through his use of colors.
Hans Hofmann
Space and time are the only forms on which life is built and hence art must be constructed... The realisation of our perceptions of the world in the forms of space and time is the only aim of our pictorial and plastic art... We renounce the thousand-year-old delusion in art that held the static rhythms as the only elements of the plastic and pictorial arts. We affirm in these arts a new element, the kinetic rhythms as the basic forms of our perception of real time.
Naum Gabo
Then the theory of relativity came and explained the cause of the failure. Electric action requires time to travel from one point of space to another, the simplest instance of this being the finite speed of travel of light... Thus electromagnetic action may be said to travel through space and time jointly. But by filling space and space alone [excluding time] with an ether, the pictorial representations had all supposed a clear-cut distinction between space and time.
James Jeans
The eighteenth century is full of contradictions. It is not only that its philosophical attitude wavers between rationalism and anti-rationalism, but its artistic aims are also dominated by two 122 opposite tendencies and at some times approach a strictly classicistic, at others a more unrestrained pictorial conception. And like the rationalism of the period, its classicism is also difficult to define and open to various sociological interpretations, since it is sustained alternately by courtly-aristocratic and middle-class strata of society and ends by developing into the representative artistic style of the revolutionary bourgeoisie.
Arnold Hauser
You have long known what I have tried to establish: the right to dare everything; yet the difficulty I have had finding enough money to live on has been too great, and my capacities have not produced a very big result but the mechanism has got underway nevertheless. The public does not owe me anything because the pictorial work I have done is only relatively good, but the painters who benefit from that freedom today do owe me something.
Paul Gauguin
Some American writer has said "the snakes in this district may be divided into one species-the venomous”. The same principle applies here. Postage-Stamp-Cases may be divided into one species, the "Wonderland”. Imitations of it will soon appear, no doubt: but they cannot include the two Pictorial Surprises, which are copyright.You don't see why I call them 'Surprises'? Well, take the Case in your left hand, and regard it attentively. You see Alice nursing the Duchess's Baby ? (An entirely new combination, by the way : it doesn't occur in the book.) Now, with your right thumb and forefinger, lay hold of the little book, and suddenly pull it out. The Baby has turned into a Pig I If that doesn't surprise you, why, I suppose you wouldn't be surprised if your own Mother-in-law suddenly turned into a Gyroscope!
Lewis Carroll
One evening I came to have a discussion with my father on the subject how long unbelievers are tormented in Hell. I maintained that no sinner could be so guilty that God would let him suffer longer than a thousand years. Father said that they would suffer for a thousand times a thousand years. We would not give up the argument. I became so irritated.. .I returned home to make my piece with him. He had gone to bed so I quietly opened his bedroom door. He was on his knees in front of the bed, praying.. .I closed the door and went to my own room but I could not get to sleep.. ..eventually I took out my drawing block and started to draw. I drew my father kneeling by his bed, with the light from the bedside lamp casting a yellow glow over his nightshirt. I fetched my paintbox and colored it in. Finally I achieved the right pictorial effect, and I was able to go to bed happy and slept soundly.
Edvard Munch
If Utrillo's paintings depicted actual scenes from life, if they were not imaginative pictorial fantasies, then the whole world would have had to be completely different. If Utrillo's representation was valid, then it would mean that mankind had regressed to an astonishing, almost unbelievable degree. All the things that Fitch believed man capable of enjoying -- dignity, solitude, integrity -- would have been experienced in the past. And that, he thought, was impossible. If men had ever possessed these benefits, they would never have given them up.
Robert Butts
