Sessions Quotes - page 2
There is no single speech nor article in which it is not said that the purpose of all these orgies is the peace of Europe. At a dinner given by the representatives of French literature, all breathe of peace. M. Zola, who, a short time previously, had written that war was inevitable, and even serviceable; M. de Vogue, who more than once has stated the same in print, say, neither of them, a word as to war, but speak only of peace. The sessions of Parliament open with speeches upon the past festivities; the speakers mention that such festivities are an assurance of peace to Europe.
It is as if a man should come into a peaceful company, and commence energetically to assure everyone present that he has not the least intention to knock out anyone's teeth, blacken their eyes, or break their arms, but has only the most peaceful ideas for passing the evening.
Leo Tolstoy
Soon I must vote for Oscars and BAFTAs, so I've been having marathon screening sessions. Top of my list so far is ROOM, which is brilliant in every way. The boy actor, Jacob Tremblay, is astounding. But most of all, it's a film that never stoops to the rigged mini-plots so often used to generate viewer excitement: it goes its own way, always surprising, always utterly believable. The writer of both the novel and the screenplay, Emma Donoghue, has produced a perfect work. People seem surprised that a first-time screenwriter can be so good, but the truth is screenwriting's not hard, it's having something strong and real and true to write about that's hard. Emma Donoghue is original and wise: that's rare.
Emma Donoghue
I began [to portray president Kennedy ] with fragmentary sketches-first in charcoal, then in casein, sometimes just heads, sometimes the whole figure. For the first session (during a Medicare conference), I sat on top of a 6-foot ladder to get an unimpeded view of him. Concentrating on bone structure, most of my first sketches of him made him look twenty years younger. This was also because the positions he assumed were those of a college athlete. I made about thirty sketches at the first session and rushed back to a big studio that had been turned over to me by the Norton Gallery, made further drawing combining different aspects, and finally, after a couple days, decided on the proportions and size of the first canvas-4 by 8 feet. In succeeding sessions of sketching, I was struck by the curious faceted structure of light over his face and hair-a quality of transparent ruddiness. This play of light contributed to the extraordinary variety of expressions.
Elaine de Kooning