Representations Quotes - page 2
I have closely studied the figured documents of all ages and of all the great masters, but I have never seen in them any representations of human beings walking on the extremity of the toes or raising the leg higher than the head. These ugly and false positions in no way express that state of unconscious Dionysiac delirium which is necessary to the dancer. Moreover movèments, just like harmonies in music, are not invented; they are discovered.
Isadora Duncan
[The information available within a system constitutes what Boulding (1978) calls the noosphere. It is constituted by the collection of plans, of representations, of procedures, of ideas for the construction of objects or of instructions to realize certain interaction patterns, including] the totality of the cognitive content, including values, of all human nervous systems, plus the prostatic devices by which the system is extended and integrated in the form of libraries, computers, telephones, post offices, and so on.
Kenneth Boulding
From the moment I arrived in Cadaqués [Summer of 1929] I was assailed by a resurgence of my childhood period. The six years of secondary school, the three years in Madrid and the trip I had just made to Paris, all totally faded into the background, while all the fantasies and representations of my childhood period came back to take victorious possession of my mind.
Salvador Dalí
Surrealism in its early period offered specific methods to bring images closer to concrete irrationality. These methods, based on the exclusive passive and receptive role of the 'surrealist subject', are bankrupt and are giving way to new surrealist methods for the systematic exploration of the irrational... The new delirious images of concrete irrationality suggest their physical, real 'possibility'; they go beyond the domain of psycho-analysable fantasies and 'virtual' representations... Against the dream memory and impossible, virtual images of purely receptive states that one can only recount, the physical facts of 'objective' irrationality with which one can already hurt oneself.
Salvador Dalí
Secularism, at its absolute best, comprises an unrelenting commitment to judicious and self-correcting critique. ... Secularism's "job” consists of criticizing all collective representations. Its analytical energies should be inflicted on any type of mass belief or empowered orthodoxy, whether it is religious, political, scientific, aesthetic, and so on. ... Secularism, as we envision it, is elitist and heretical by nature. When it aspires to become a popular movement, an orthodoxy, or the predicate of a nation-state, it betrays itself.
Jacques Berlinerblau
"SPAN ID=In_the_case> In the case of drama (stage, movies, television ), there appear to be people in almost every audience who never quite fully realize that a play is a set of fictional, symbolic representations. An actor is one who symbolizes other people, real or imagined. [...] Also some years ago it was reported that when Edward G. Robinson, who used to play gangster roles with extraordinary vividness, visited Chicago, local hoodlums would telephone him at his hotel to pay their professional respects.
S. I. Hayakawa
I was reminded of how much I had misjudged the potential the profession would see in the time series rational expectations models. When I, as a graduate student at the Massachusetts Institute of Technology (MIT) around 1970 did some work on the econometrics of rational expectations time series models, I felt rather apologetic about the extreme assumptions in the models. I did not expect others to regard them as anything more than a passing gimmick. Richard Sutch had just written in his MIT doctoral dissertation (1968) an exposition of the coefficient restrictions implied for time series representations of long-term and short-term interest rates, but he never bothered to publish this work. I remember conversations with him and others about rational expectations models, and I did not come away thinking they were the wave of the future.
Robert J. Shiller
We act out our encounter with the unknown world. We act it out in a way that is analogous to the manner that's presented as a description of what it is that God does at the beginning of time to extract habitable order out of chaos. So you act it out first. Then the second thing is, you watch people who act it out, and you start to make representations of that. That's stories, right? And maybe you admire them. And then maybe after a long time you collect a bunch of those stories, and you can say what that is. You can articulate it as a pattern.
Jordan Peterson
I know exactly what I have photographed [in his series 'Equivalents', 1925 - 1934]. I know I have done something that has never been done... I also know that there is more of the really abstract in some 'representation' than in most of the dead representations of the so-called abstract so fashionable now.
Alfred Stieglitz
.. my own paintings of that period (1916 – 1919) remain pure still-life compositions and never suggest any metaphysical, surrealist, psychological, or literary considerations at all [reacting on similarities with the art of Carrà, and de Chirico, suggested by the interviewer]. My milliners' dummies, for instance, are objects like others and have not been selected to suggest symbolic representations of human beings of legendary or mythological characters. The only titles that I chose for these paintings were conventional, like 'Still Life, Flowers or Landscape', without any implications of strangeness of an unreal world.
Giorgio Morandi
The representation of knowledge in symbolic form is a matter that has pre-occupied the world of documentation since its origin. The problem is now relevant in many situations other than documents and indexes. The structure of records and files in databases: data structures in computer programming; the syntactic and semantic structure of natural language; knowledge representation in artificial intelligence; models of human memory: in all these fields it is necessary to decide how knowledge may be represented so that the representations may be manipulated.
Brian Campbell Vickery
Man of science seeks to resolve the links between art, aesthetics, and the science. The man of science ...seeks to resolve [nature's] infinite complexities in to a few simple principles or elements of action which he calls the laws of nature. In doing this, like the exponents of other forms of art, subjects himself to a rigorous discipline, the rules of which he had laid down for himself and which he calls logic .... Science... Is a fusion of man's aesthetic and intellectual functions devoted to the representations of nature. It is therefore the highest form of creative art.
C. V. Raman
I was frustrated with how academia tended to present feminist theory in disconnected or inaccessible ways. I wanted to try and bring a sociological feminist lens to the limited and limiting representations of women in the media and then share that with other young women of my generation. YouTube was the perfect medium.
Anita Sarkeesian
![Calculation establishes that a quantum positive energy theorem may be possible using a representation based on the Ashtekar connection. Left open is a key question of whether this use of the Ashtekar connection is necessary or whether a positive quantum energy result can be achieved for representations based on other connections, i. e., for [other] values of the Immirzi parameter. (Lee Smolin)](https://cdn.quotesdtb.com/img/quotes_images_webp/70/lee-smolin-based-calculation-961170.webp)
Utopia is a spatial matter that might be thought to know potential change in fortunes in so spatialized a culture as the postmodern; but if this last is a dehistoricized and dehistorizing as I some times claim here, the synaptic chain that might lead the Utopian impulse to expression becomes harder to localize. Utopian representations knew an extraordinarily revival in the 1960's; if postmodernism is the substitute for the sixties and the compensation for their political failure, the question of Utopia would seem to be a crucial test of what is left of our capacity to imagine change at all.
Fredric Jameson
It is clear that the images and other representations which we have in the houses of worship have caused the risk of idolatry. Therefore they should not be allowed to remain there, nor in your chambers, nor in the market-place, nor anywhere else where one does them honor. Chiefly they are not to be tolerated in the churches, for all that is in them should be worthy o our respect. If anyone desires t put historical representations on the outside of the churches that may be allowed, so long as they do not incite to their worship. But when one begins to bow before these images and to worship them, then they are not to be tolerated anywhere in the wide world; for that is the beginning of idolatry, nay, is idolatry itself.
Huldrych Zwingli
of the body was immediately agitated with convulsive movements resembling a violent shuddering from cold. ... On moving the second rod from hip to heel, the knee being previously bent, the leg was thrown out with such violence as nearly to overturn one of the assistants, who in vain tried to prevent its extension. The body was also made to perform the movements of breathing by stimulating the phrenic nerve and the diaphragm. When the supraorbital nerve was excited 'every muscle in his countenance was simultaneously thrown into fearful action; rage, horror, despair, anguish, and ghastly smiles, united their hideous expressions in the murderer's face, surpassing far the wildest representations of Fuseli or a Kean. At this period several of the spectators were forced to leave the apartment from terror or sickness, and one gentleman fainted.
Andrew Ure
