Interviewer Quotes - page 3
![You [the interviewer Edouard Roditi, in 1958] have probably understood that I had always been mainly a plain-air painter, though I also painted portraits and still-life compositions. At first I experienced great difficulty with my brushwork – I mean with that the French call 'la touche de pinceau'. So Kandinsky taught me how to achieve the effects that I wanted with a palette knife. In the view from my window in Sèvres, that I painted in 1906, when we were together in France, you can see how well he taught me. Later of course, here in Murnau, I learned to handle brushes, too, but I managed this by following Kandinsky's example, first with a palette knife, than with brushes. (Gabriele Munter)](https://cdn.quotesdtb.com/img/quotes_images_webp/10/gabriele-munter-call-course-850010.webp)
.. my own paintings of that period (1916 – 1919) remain pure still-life compositions and never suggest any metaphysical, surrealist, psychological, or literary considerations at all [reacting on similarities with the art of Carrà, and de Chirico, suggested by the interviewer]. My milliners' dummies, for instance, are objects like others and have not been selected to suggest symbolic representations of human beings of legendary or mythological characters. The only titles that I chose for these paintings were conventional, like 'Still Life, Flowers or Landscape', without any implications of strangeness of an unreal world.
Giorgio Morandi
Interviewer: France has announced that it is planning to withdraw its troops from the Central African Republic at the end of the year. Is this good or bad news?
Catherine Samba-Panza: The international community, be it the United Nations, the European Union or friendly countries like France, has been helping us from the very first hours of the crisis. Regional organizations like the African Union have accompanied us throughout all our difficulties. However, this is very expensive. So all these countries and organizations need to consider up to which limit they are able to continue with their efforts. We took note of France's intention to start withdrawing their troops right at the end of the transitional period. We can all see that the French Sangaris mission is still of great help for the mission of the European Union as well as the UN peacekeeping mission MINUSCA. So I would say that it is a withdrawal, but not a total withdrawal.
Catherine Samba-Panza
Interviewer: Are you in a hurry to finish your term as the Interim President?
Catherine Samba-Panza: I am not in a hurry but I believe that I had a specific mission which I accomplished. When I came into office, I knew that I was going to respect the rules, namely that I was not allowed to run for president in the following elections. I am proud to leave my position having respected these rules and to hand over a governable country to the new leaders that come out of the polls.
Catherine Samba-Panza
Hoda Abdel Hamid (Interviewer for Al Jazeera): President Mathripala Sirisena, thank you for talking to Al Jazeera. Now you've been a year in power, you have received a lot of praise whether it is at home [Sri Lanka] or on the international level. Some go as far as saying 'Sri Lanka is finally on track to fix its democracy.
Maithripala Sirisena
Hoda Abdel Hamid (Interviewer for Al Jazeera): Mr. President, I'd like to move onto to the war crimes probe. This is a bit of a sore point, and sometimes it's seems that Sri Lanka is at odd with the international community over this point. Yet, your government, and your country did co-sponser resolution 30, of the UN Human Rights Council which clearly calls for a judicial mechanism where international experts would have a role. Then there was talk about a hybrid court and just recently, you said that there was no need for any international involvement in the probe. It's a bit confusing, so what is going on exactly?
Maithripala Sirisena
Hoda Abdel Hamid (Interviewer for Al Jazeera): As much as you received praise during your 1st year, you also received some criticism, now I spoke to some Sri Lankans for the past few days, one issue that came up was the issue of nepotism. Many said that during your election campaign, you were very vocal about it. You condemned the practices of the former president, yet during that 1st year, you appointed members of your own family, your son in law is a public relations officer of the defense ministry, your brother is head of the government owned telecom company. And then there is the issue of your son, who came with you to the General Essambly in New York last September. It was your first time you were there as a president, and Sri Lanka is still means well, when we saw that picture, we were wondering 'is there really a difference? Or actually, will politics always be a family business in this country?
Maithripala Sirisena
Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..
Marino Marini
The single greatest influence on my work as a filmmaker has been the celebrated Interviews with Francis Bacon (1980) by David Sylvester. Sylvester is a master of the art of complicity: he knows how to manipulate and exploit it. Complicity requires being cautiously intellectual yet profoundly human in the sense that the interviewer must act as the concerned midwife, allowing the interviewee to express himself while at the same time guiding his thoughts to a satisfactory conclusion through sensitive provocation.
Damian Pettigrew
Nigel Barton (On TV): I feel I don't belong here, that's my trouble.
Interviewer (on TV): Well, where do you belong? At home?
Harry Barton: Of course!
Nigel Barton (on TV): No, I'm afraid I don't. Now it hurts to say this, of course, but it's the truth. Back at home, in the village, in the workingmen's club, with people I went to school with, I'm so much on the defensive, you see. They suspect me of making qualitative judgments about their environment, you understand, but it's not that I wish to do so. Yet I even find my own father looking at me oddly some times, waiting to pounce on some remark, some expression in my face, watching me like a hawk. I don't feel at home in either place. I don't belong. It's a tightrope between two different worlds, and I'm walking it.
Harry Barton: You're a bloody liar, Nigel!
Dennis Potter
JB: And the practical consequences of that political reason would be then aggression against the Russians interviewer: might have been world war III. JB: Absolutely. And that's why we were querying our instruction from an American general. Fortunately, up on the radio came Gen Mike Jackson, whose exact words at the time were, 'I'm not going to have my soldiers be responsible for starting World War III.
James Blunt
Gene Ray: Another thing, did you know your father is a fish?
Interviewer: No, I did not know my... [laughter]
Gene Ray: You know how salmon swim upstream, the male fertilizes the female eggs laid in the water?
Interviewer: Yes.
Gene Ray: The sperm fish swims upstream just like the salmon fertilizes female eggs laid in the water.
Gene Ray
New Zealand interviewer: What's it like for you guys, has it been "sex, drugs and rock 'n' roll", that stuff?
Josh: Six drugs? There's been more than that!
[All laugh]
Josh: I need to hear that question again, I'm sorry.
Dave Grohl: Why? That was the best answer you could possibly have given!
[Laughter continues]
Josh: I wake up in the middle of stuff, sometimes. 'Cause of my condition, y'know.
New Zealand interviewer: Which is?
Josh: I'm a badass.
Josh Homme
