Violet Quotes
But the three siblings were not born yesterday. Violet was born more than fifteen years before this particular Wednesday, and Klaus was born approximately two years after that, and even Sunny, who had just passed out of babyhood, was not born yesterday. Neither were you, unless of course I am wrong, in which case welcome to the world, little baby, and congratulations on learning to read so early in life.
Daniel Handler
Rays were blazing through the atmosphere of the earth, the horizon became bright orange, gradually passing into all the colors of the rainbow: from light blue to dark blue, to violet and then to black. What an indescribable gamut of colors! Just like the paintings of the artist Nicholas Roerich.
Yuri Gagarin
Do not several sorts of Rays make Vibrations of several bignesses, which according to their bigness excite Sensations of several Colours, much after the manner that the Vibrations of the Air, according to their several bignesses excite Sensations of several Sounds? And particularly do not the most refrangible Rays excite the shortest Vibrations for making a Sensation of deep violet, the least refrangible the largest form making a Sensation of deep red, and several intermediate sorts of Rays, Vibrations of several intermediate bignesses to make Sensations of several intermediate Colours?
Isaac Newton
People expect you to change when you become a mother, and of course my priorities changed when I had Violet. She's number one in my life and the best thing that ever happened to me, but I still have fun. I am still myself, but that is made out to seem like I am rebelling against motherhood.
Imelda May
I hope, for your sake, that you have not chosen to read this book because you are in the mood for a pleasant experience. If this is the case, I advise you to put this book down instantaneously, because of all the books describing the unhappy lives of the Baudelaire orphans, The Miserable Mill might be the unhappiest yet. Violet, Klaus, and Sunny Baudelaire are sent to Paltryville to work in a lumber mill, and they find disaster and misfortune lurking behind every log.
Daniel Handler
Like handshakes, house pets, or raw carrots, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up -- and down -- a range of strange and distressing mountains.
Daniel Handler
With the Baudelaire orphans, it was as if their grief were a very heavy object that they each took turns carrying so that they would not all be crying at once, but sometimes the object was too heavy for one of them to move without weeping, so Violet and Sunny stood next to Klaus, reminding him that this was something they could all carry together until at last they found a safe place to lay it down.
Daniel Handler
If you are looking for a story about cheerful youngsters spending a jolly time at boarding school, look elsewhere. Violet, Klaus, and Sunny Baudelaire are intelligent and resourceful children, and you might expect that they would do very well at school. Don't. For the Baudelaires, school turns out to be another miserable episode in their unlucky lives.
Daniel Handler
A second sun blazed white and swelled visibly as he watched. What on Earth would have been-so many times had been-a climbing mushroom cloud was here in open space a perfect geometrical sphere, growing unbelievably. It swelled still larger, dropping from limelight white to to silvery violet, became blotched with purple, red and flame. And still it grew, until it blanked out the earth beyond it.
At the time it had been transformed into a radioactive cosmic cloud Circum-Terra had been passing over, or opposite, the North Atlantic; the swollen incandescent cloud was visible to most of the habitable portions of the globe, a burning symbol in the sky.
Robert A. Heinlein
Neo-Impressionist method is an attempt is made to achieve the richness of the sunlight spectrum with all its tones. An orange that blends with yellow and red, a violet that tends toward red and blue, a green between blue and yellow are, with white the sole elements. Through mixture (in the eye of the observer) of these pure colours, whose relationship can be varied at will, from the most brilliant to the greyish. Every brush stroke that is taken from the palette remains pure on the canvas.
Paul Signac
When I was born 20.6. [18]87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my mother: 'Tom' or 'Happening', meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian's influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists... I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.... and at all I have much fun about Art.
Kurt Schwitters
From the point of view of the development of Marx' s theories, his early journalistic writings are important for two main reasons. In his sharp attacks on the censorship law he spoke out unequivocally for the freedom of the Press, against the levelling effect of government restriction (‘ You don' t expect a rose to smell like a violet; why then should the human spirit, the richest thing we have, exist only in a single form?'), and also expressed views concerning the whole nature of the state and the essence of freedom. Pointing out that the vagueness and ambiguity of the Press law placed arbitrary power in the hands of officials, Marx went on to argue that censorship was contrary not only to the purposes of the Press, but to tbe nature of the state as such.
Leszek Kołakowski
