Velocity Quotes - page 3
A question which has long troubled astronomers and physicists is what becomes of the energy that is continually being poured out into space by the sun and the stars. To this question a complete answer is given by the new theory. It is used up, diluted, or degraded, by the expansion of the universe. ...the light travelling through the expanding universe and, so to say, trying to reach a particular star, or stellar system, which is continually receding with great velocity, is losing energy in trying to catch up with it. It is this degradation of the light, technically known as the redshift of the spectral lines, by which we become aware of the receding velocities of the extra-galactic nebulae. It can be shown that the decrease of the total amount of radiant energy in the universe by this degradation exceeds the increase by the radiation of the stars. It would not be correct, however, to conclude that the expansion is caused by the energy thus lost by the radiation...
Willem de Sitter
E = mc2 really applies only to isolated bodies at rest. In general, when you have moving bodies, or interacting bodies, energy and mass aren't proportional. E = mc2 simply doesn't apply. ...For moving bodies, the correct mass-energy equation is
E=\frac {mc^2} {\sqrt{1-\frac{v^2} {c^2}}}
where v is the velocity. For a body at rest (v=0), this becomes E = mc2. ...we must consider the special case of particles with zero mass... examples include photons, color gluons, and gravitons. If we attempt to put m = 0 and v = c in our general mass-energy equation, both the numerator and denominator on the right-hand-side vanish, and we get the nonsensical relation E = 0/0. The correct result is that the energy of a photon can take any value. ...The energy E of a photon is proportional to the frequency f of the light it represents. ...they are related by the Planck-Einstein-Schrödinger equation E = hf, where h is Plank's constant.
Frank Wilczek
As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It's a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it "harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands ...
Burkard Schliessmann