Thirties Quotes - page 4
General Franco is an authentic national hero. It is generally conceded that he above others had the combination of talents, the perseverance, and the sense of righteousness of his cause, that were required to wrest Spain from the hands of the visionaries, ideologues, Marxists and nihlistis that were imposing on her, in the thirties, a regime so grotesque as to do violence to the Spanish soul, to deny, even Spain's historical identity.
Francisco Franco
Franklin Roosevelt's New Deal has become a conservative force in American life. In saying this, I do not intent for a moment to dismiss the enduring significance of the social and political struggles of the Thirties. The old lassez-faire myths were decisively shattered, government recognized its duty to promote full employment, Social Security was accepted as a national principle, the mass-production workers created the CIO - and this is only the beginning of a list of accomplishments of those times. The welfare state which was begun then is manifestly imperfect and often unjust. Yet it took the United States a giant stride beyond the decade of Warren Harding, Calvin Coolidge, and Herbert Hoover. Still, the Rooseveltian program did not solve the central problem of the Depression: mass unemployment.
Michael Harrington
...I think Disney personifies some of the American ideals in art and in culture in total, because what he was trying to do and specifically with Fantasia. And it was the spirit of the thirties, I believe; it was the post-Depression period, where people were trying to think popular art, art that was consumable by the masses high art that could be put in a tin or another form, a package...
Carlos Almaraz
Perhaps Algren was our Cassandra: he was right when he argued for the significance of "squalor” and for the literary significance of the vast demographic of the dispossessed. The city was integral to what Algren observed and animated in his best fiction; thanks to Algren and a few others, Chicago framed American conversations about urban reality from the Thirties all the way through the Seventies and Eighties. [... Algren was] the most perceptive and humane novelist produced by Chicago in the 20th century.
Nelson Algren
Scholes was probably the best English midfielder since Bobby Charlton. Since I have been in England, Paul Gascoigne was the best of those who could lift you from your seat. In his last few years, Paul Scholes elevated himself above Gascoigne. One, for longevity, and two, for improving himelf in his thirties.
He was such a brilliant long passer that he could choose a hair on the head of any team-mate answering the call of nature at our training ground. Gary Neville once thought he had found refuge in a bush, but Scholesy found him from 40 yeards. He inflicted a similar long-range missile strike, once, on Peter Schmeichel, and was chased round the training ground for his impertinence. Scholesy would have made a first class-sniper.
Paul Scholes
It was this apparent paradox, by which the so-called Abstract Expressionists.. ..are really far more sympathetic to wards Mondrian than towards Kandinsky. The Mondrian thing seems paradoxical only in relation to the Mondrian that people interpreted in the [nineteen-]thirties as a rather cold and static artist. Maybe it is only more recently that we have realized about the blinking that takes place at the intersection of the lines, of shuttling back and forth and so on, that Mondrian becomes in some ways a more dynamic artist than Kandinsky.
Wassily Kandinsky
