Correspondence Quotes - page 2
Words are not deeds. In published poems - we think first of Eliot's "Jew", words edge closer to deeds. In Céline's anti-Semitic textbooks, words get as close to deeds as words can well get. Blood libels scrawled on front doors are deed.
In a correspondence, words are hardly even words. They are soundless cries and whispers, "gouts of bile," as Larkin characterized his political opinions, ways of saying, "Gloomy old sod, aren't I?" Or more simply, "Grrr."
Correspondences are self-dramatizations. Above all, a word in a letter is never your last word on any subject. There was no public side to Larkin's prejudices, and nothing that could be construed as a racist - the word suggest a system of thought, rather than an absence of thought, which would be closer to the reality, closer to the jolts and twitches of self response.
Martin Amis
Such was Gods Poem, this Worlds new Essay;
So wild and rude in its first draught it lay;
Th' ungovern'd parts no Correspondence knew,
An artless war from thwarting Motions grew;
Till they to Number and fixt Rules were brought
By the eternal Minds Poetique Thought.
Water and Air he for the Tenor chose,
Earth made the Base, the Treble Flame arose,
To th' active Moon a quick brisk stroke he gave,
To Saturns string a touch more soft and grave.
The motions Strait, and Round, and Swift, and Slow,
And Short, and Long, were mixt and woven so,
Did in such artful Figures smoothly fall,
As made this decent measur'd Dance of All.
Abraham Cowley
But how to write about a man who lived such a contemplative life marked by so few striking external events? He was extraordinarily private, and he kept his own person invisible in his writing. I had none of the material that ordinarily lends itself to narrative-no family dramas, no love affairs, jealousies, curious anecdotes, feuds, spats, or reunions. He had a large correspondence, but after his death his colleagues followed his instructions and removed almost all personal comments from his letters. No, not much external drama in his life: most scholars regard Spinoza as a placid and gentle soul-some compare his life to that of Christian saints, some even to Jesus.
Baruch Spinoza
The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian ... and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music ... a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.
Peter Greenaway
...We beg leave to transport the reader to the back-parlour of the post-master's house at Fairport, where his wife, he himself being absent, was employed in assorting for delivery the letters which had come by the Edinburgh post. This is very often in country towns the period of the day when gossips find it particularly agreeable to call on the man or woman of letters, in order, from the outside of the epistles, and, if they are not belied, occasionally from the inside also, to amuse themselves with gleaning information, or forming conjectures about the correspondence and affairs of their neighbours. Two females of this description were, at the time we mention, assisting, or impeding, Mrs. Mailsetter in her official duty.
Walter Scott